I'll Be Your Mirror: The Selected Andy Warhol InterviewsKenneth Goldsmith Hachette Books, 07/07/2004 - 427 من الصفحات The Question-and-Answer interview was one of Andy Warhol's favorite communication vehicles, so much so that he named his own magazine after the form. Yet, never before has anyone published a collection of interviews that Warhol himself gave. I'll Be Your Mirror contains more then thirty conversations revealing this unique and important artist. Each piece presents a different facet of the Sphinx-like Warhol's ever-evolving personality. Writer Kenneth Goldsmith provides context and provenance for each selection. Beginning in 1962 with a notorious interview in which Warhol literally begs the interviewer to put words into his mouth, the book covers Warhol's most important artistic period during the '60s. As Warhol shifts to filmmaking in the '70s, this collection explores his emergence as socialite, scene-maker, and trendsetter; his influential Interview magazine; and the Studio 54 scene. In the 80s, his support of young artists like Jean-Michel Basquait, his perspective on art history and the growing relationship to technology in his work are shown. Finally, his return to religious imagery and spirituality are available in an interview conducted just months before his death. Including photographs and previous unpublished interviews, this collage of Warhol showcases the artist's ability to manipulate, captivate, and enrich American culture. |
المحتوى
A Revealing Interview with Andy Warhol | 1 |
Warhol Interviews Bourdon | 4 |
Answers from 8 Painters Part I | 13 |
Andy Warhol Interviewed by a Poet | 19 |
Pop Goes the Artist | 25 |
Interviewed by Gerard Malanga | 45 |
Interview with Andy Warhol on EMPIRE | 51 |
An Interview with Gerard Malanga | 57 |
A Conversation with Andy Warhol | 189 |
Around Barnett Newman | 195 |
Who Is This Man Andy Warhol? | 198 |
Andy Warhols Life Loves Art and Wavemaking | 220 |
Letter to Man Ray | 225 |
Andy Warhol | 229 |
Some Say Hes the Real Mayor of New York | 261 |
Dinner with Andy and Bill February 1980 | 273 |
An Interview with Andy Warhol | 61 |
An Underground Interview with Andy Warhol | 69 |
Andy Warhol and Roy Lichtenstein | 77 |
My True Story | 83 |
Inside Andy Warhol | 95 |
Untitled Interview | 108 |
Andy Warhol Interviews Bay Times Reporter | 116 |
An Interview with Andy at the Balloon Farm | 120 |
Notes on My Epic Chelsea Girls | 125 |
Andy Out West | 129 |
Cab Ride with Andy Warhol | 148 |
Andy Warhol | 158 |
Were Still All Just Experimenting | 168 |
Its Hard to Be Your Own Script | 183 |
Andy Warhol | 286 |
A Shopping Spree in Bloomingdales with Andy Warhol | 297 |
Andy Warhol | 308 |
An Interview with Andy Warhol | 317 |
An Artist and His Amiga | 329 |
Andy Warhol | 344 |
The Last Interview | 378 |
Afterword Warhols Interviews | 391 |
Acknowledgments | 394 |
Bibliography | 398 |
Notes to Introduction by Reva Wolf | 399 |
Permissions | 406 |
Index | 408 |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
actually Amiga Andy Warhol Andy's answers asked beautiful BILL Billy Name Bockris BUCHLOH called camera Campbell's soup CASTLE CAVALIER Chelsea Girls color Edie Sedgwick Empire State Building everything Factory favorite feel film funny Gallery Gerard Malanga GLENN guess happened Hollywood idea Interview magazine Interview with Andy Jasper Johns John Giorno kids kind look machine magazine mean Museum never Nico O'BRIEN OLD OWL Ondine painter painting party person photographs picture play POET Pop Art Pop Artist portrait prints questions reprinted courtesy Roy Lichtenstein scene screen silkscreen silver Sleep someone sort sound studio Superstar talk TAPE RECORDING Taylor Mead television tell there's things thought took trying underground Velvet Velvet Underground VICTOR Warhol Interviews What's words York
مقاطع مشهورة
الصفحة xx - Concerning a pseudo-event the question, "What does it mean?" has a new dimension. While the news interest in a train wreck is in what happened and in the real consequences, the interest in an interview is always, in a sense, in whether it really happened and in what might have been the motives. Did the statement really mean what it said? Without some of this ambiguity a pseudo-event cannot be very interesting. (4) Usually it is intended to be a self-fulfilling prophecy.