What is a Photograph?

الغلاف الأمامي
DelMonico Books-Prestel, 2013 - 256 من الصفحات
Bringing together a group of stylistically diverse but similarly adventurous and innovative artists, this book explores the intense creative experimentation in photography that has occurred since the 1970s. Few people ask, "What is a painting? A drawing? A sculpture?" But the medium of photography, especially since the 1970s, has been constantly changing as technological developments allow for endless experimentation--until the very definition of a photograph becomes ripe for debate. Beginning with the waning days of conceptual art, this book presents a wide variety of artists--among them James Welling, Christopher Williams, Marco Breuer, Alison Rossiter, Sigmar Polke, and Gerhard Richter--who have reconsidered and reinvented the role of light, color, composition, materiality, and subject in the art of photography. Brought together for the first time in book form, these individuals have found new ways of implementing both analog and digital technology, in many cases creating hybrid works that open up new possibilities for today's artists. Filled with brilliant color reproductions, this volume not only traces the many strands of experimentation that have developed out of conceptual art, but also encourages dialogue on the continuing experimentation that is occurring as photography continues to evolve within the analog and digital worlds.

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ما يقوله الناس - كتابة مراجعة

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المحتويات

Ó Acknowledgments
7
An Art of the Real
47
Photography and the Philosophers
63
حقوق النشر

2 من الأقسام الأخرى غير ظاهرة

طبعات أخرى - عرض جميع المقتطفات

عبارات ومصطلحات مألوفة

حول المؤلف (2013)

Carol Squiers is a writer, editor and curator who lives in New York City. Currently senior editor of American Photo magazine and regular contributor to Artforum, She has written for a wide variety of publications, including The New York Times, Vogue, Vanity Fair, The Village Voice, Art in America, and Aperture. She is a contributor to a number of books, including Barbara Kruger: Thinking of You (1999), Sandy Skoglund: Reality Under Seige (1998), Police Pictures: The Photographs as Evidence (1997), and The Contest of Meaning (1990). She is the editor of The Critical Image: Essays on Contemporary Photography (1990) and Overexposed: Essays on Contemporary Photography (2000). Between 1980 and 1984 she was curator of photography at PS 1, The Institute for Art and Urban Resources, Long Island City, New York.

معلومات المراجع