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النتائج 1-3 من 54
الصفحة 365
My second argument arises from the highly disjunctive , topsy - turvy style the concert party developed in the post - war years . This era saw the evolution of a radically new aesthetic as concert parties began to combine antecedent ...
My second argument arises from the highly disjunctive , topsy - turvy style the concert party developed in the post - war years . This era saw the evolution of a radically new aesthetic as concert parties began to combine antecedent ...
الصفحة 371
Concert parties in this period maintained the farcical tone , physical comedy , and vaudevillean acting style they had inherited from previous generations . However , they grafted onto the tradition of formulaic plots and two ...
Concert parties in this period maintained the farcical tone , physical comedy , and vaudevillean acting style they had inherited from previous generations . However , they grafted onto the tradition of formulaic plots and two ...
الصفحة 448
Their whole style of learning and speaking was different . Sermonisers expected , and were expected , to speak extempore , even citing Arabic texts from memory rather than from a written page . Saudi - trained clerics were more likely ...
Their whole style of learning and speaking was different . Sermonisers expected , and were expected , to speak extempore , even citing Arabic texts from memory rather than from a written page . Saudi - trained clerics were more likely ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
AUDIENCES IN ACTION | 347 |
popular | 363 |
readers interpretations and the difference | 389 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Abiriw Accra African Akan Akuapem Akuropon audience authors Bamba become Blacking called cassettes character chief colonial concert party context critical culture discussion division economic established ethnic example experience fact fayannde female Fulbe gender Ghana Ghanaian give given groups Guan Hausa husband identity important Indian films individual Islam Italy land language live London look male marabout marriage means Muslim narratives Nigeria northern organisation original parents performance person play political popular position practice present production readers reading recorded reference relations relationship relatives religious respect role singing situation social society songs Sotho soyayya status structure Studies style television town traditional University Press village West woman women writing young zongo