Africa, المجلد 67،الأعداد 3-4Oxford University Press, 1997 Includes Proceedings of the Executive council and List of members, also section "Review of books". |
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النتائج 1-3 من 54
الصفحة 365
... style the concert party developed in the post - war years . This era saw the evolution of a radically new aesthetic as concert parties began to combine antecedent performance practices with a new expanded sensibility . Performances ...
... style the concert party developed in the post - war years . This era saw the evolution of a radically new aesthetic as concert parties began to combine antecedent performance practices with a new expanded sensibility . Performances ...
الصفحة 371
... style stage . The concert party's integrative role in Ghanaian culture is most evident in the disjunctive style it developed in the independence era . Concert parties in this period maintained the farcical tone , physical comedy , and ...
... style stage . The concert party's integrative role in Ghanaian culture is most evident in the disjunctive style it developed in the independence era . Concert parties in this period maintained the farcical tone , physical comedy , and ...
الصفحة 448
... style of learning and speaking was different . Sermonisers expected , and were expected , to speak extempore , even citing Arabic texts from memory rather than from a written page . Saudi - trained clerics were more likely to read out ...
... style of learning and speaking was different . Sermonisers expected , and were expected , to speak extempore , even citing Arabic texts from memory rather than from a written page . Saudi - trained clerics were more likely to read out ...
المحتوى
AFRICA | 346 |
popular | 363 |
readers interpretations and the difference | 389 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Abiriw Accra Adonten Adukrom African Studies Ahmad Akan Akuapem Akuropon Akwamu Akyem Amadou Bamba Anthropology audience authors baditshaba Bamba barrages Baye Fall behaviour Benkum cassettes centres character chief colonial concert party contemporary context Côte d'Ivoire Dogon Dyula ethnic fayannde female femmes Fulbe funeral géer gender genre géwél Ghana Ghanaian girl groups Guan Hausa highlife husband important Indian films Islam Jallube Kano kiba Kwahu Kwahu Tafo language live male marabout maroki marriage migrant milk modern Mouride Muslim narratives Nifa Nigeria northern Nigeria Ogbomoso Okere Omanhene organisation paysans performance play political popular culture popular music praise praise-singing production readers relations relationship religious role Sabon Zongo Senegalese sermons sexual singing social society songs soyayya books stool style suudu television theatre Touba town traditional University Press Venda village West Africa Wolof woman women wuro Yoruba young