...the deposit from the water which dripped from a reservoir above. Being accidentally re-discovered, at the end of the sixteenth or beginning of the seventeenth century, Cardinal Antonio Barberini removed it to his palace, where it still remains. The first drawings from...

...her: she is equal to what is much better,—pathos, expression. The fine madrigal of Ward, composed at the end of the sixteenth, or beginning of the seventeenth century, wanted firmness, and a greater equality of voices; the trebles were too powerful, rather shrill; aud...

...by his three Sons &c. Written by WC The first Part. London, Printed by E. Alsop and Robert Wood&c. 1663. BL 4to. 64 leaves. It is probable that the WC...title-page, but the signatures are continued throughout. «S GA.INSFORD, THOMAS. — The Vision and Discourse of Henry the Seventh. Concerning the Unitie of...

...original. The whole of the windows of the front, including those in the attic, appear to have been inserted at the end of the sixteenth or beginning of the seventeenth century. They are large, with wooden mullions and transoms. The front and ends were at that time also, plastered...

...contributed to the advancement of the science of chemistry, might be added. He was born in Germany at the end of the sixteenth or beginning of the seventeenth century, and died at Amsterdam in 1668. His works, which are well worth a minute examination, from the mixture...

...But the ribbon-loom is a much later invention, having its rise probably in the Netherlands or Germany at the end of the sixteenth or beginning of the seventeenth century. Lancellotti, in a work published in Venice in 1636 (but written in 1629), says that Anthony Moller...

...church, and in its subsequent pages nearly a hundred well-executed coats of arms, apparently painted at the end of the sixteenth or beginning of the seventeenth century. The first coat is, Quarterly, 1 and 4, azure, a cross or, 2 and 3, sable, three escallops argent, which...

...handsome present of pictures. He died in 1600 at an advanced age. Four other painters, all flourishing at the end of the sixteenth or beginning of the seventeenth century, bore the charmed name of Vecelli. Marco and Tizianello were father and son. The first, a son of Titian's...

...this distinction were always in future adhered to.* The Cornish historian, Carew, visited these stones at the end of the sixteenth or beginning of the seventeenth century, and thus describes them : — " There are t\vo moor stones, pitched in the ground, very near together,...

...distinction were always in future adhere;! to.* The Cornish historian, Carew, visited these stones at the end of the sixteenth or beginning of the seventeenth century, and thus describes them : — " There are two moor stones, pitched in the ground, very near together,...