Film Form: Essays in Film Theory, and The Film SenseWorld Publishing Company, 1964 - 568 من الصفحات |
المحتوى
THROUGH THEATER TO CINEMA | 3 |
THE UNEXPECTED | 18 |
THE CINEMATOGRAPHIC PRINCIPLE AND THE IDEOGRAM | 28 |
حقوق النشر | |
11 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
achieved action actor Alexander Nevsky American Andrei Belyi appears artist audio-visual basic camera cante jondo character characteristic cinema cinematography close-up Clyde color completely composition concept conflict construction correspondence creative D. W. Griffith Dickens direction dynamic effect Eisenstein El Greco elements embodiment emotional example expression feeling figure FILM FORM film-makers frame Griffith idea imagist inner intellectual Ivan the Terrible Ivor Montagu Japanese juxtaposition Kabuki laws leap logical means ment method montage Moscow move movement nature organic organic-ness painting particular perception phrase pictorial picture pieces plastic play Potemkin principle problem produced Proletkult purely Pushkin Que Viva Mexico question representation rhythm rhythmic rôle Russian scene screen sensation sense sensual sequence Sergei Eisenstein Shot VII silent film sound sound-film Soviet spectator speech stage story structure Tamerlane theater thematic theme thinking tion tonal translated unity visual whole words yawls yellow York