XXIX. At my foretop my five wittis flew out. And band me in ane prison, foot and hand, And in the mids of it ane mine of flint; Though thou pass forth, as bird implume I sank therein till I was near-hand tynt.8 to light, His gracious earis to my work implore, afore; Where through he may, by prudent As weel his honour as his realm decore, LICHTOUN'S DREAM. And when I saw there was none other re meid,9 I flychterèd1up with ane feddrem" of lead; Out through the vault and pierced not the And thus, I thought into my dooly Dream, and feir. '7 My spirit was 9 Remedy. snatched and held. 10 Fluttered. ["This very whimsical production," Syne lap three loups, 16 and I was haile as Dr Laing calls it, has been preserved in both the Bannatyne and Maitland manuscripts: in the latter without the author's name; and that omission is all that the former MS. enables us to sup. ply, with the addition of Monicus, from which it is inferred that the author was 2 Low. 5 Long rope. 7 Mixed. 8 Lost. 11 Feathers, wings. 12 The arch of heaven. 13 Hillock of creani. 14 Anger. 15 Quickly. 16 Leaps. 17 Whole and sound. Syne, after that I had escaped this case, Methought I was in many divers place, Whilk were too long to have in perfect mind In Egypt, Ireland, Arragon, and Ynd; In Burgoyne, Bordeaux, and in Bethlem, In Juryland and in Jerusalem; In France, in Freisland, and in Coupland fells, Where clockis cleckis crawbirds' in cockle shells; In Poil, Pertik, Peblis, and Portjafe, And there I shipped into ane barge of drafe ; We pulled up sail, and could our anchors weigh, And suddenly out through the throsin sey 2 We sailed in storm, but steer,3 guide or glass, To Paradise, the place where Adam was. By we approached into that port, in hye4 We were weel ware of Enoch, and Elye, Sittand, on Yule even, in ane fresh green shaw, 5 Roastand strawberries at ane fire of snaw.6 I thought I would not scare them in that place, Till they had drawn the board, and said the grace: Then suddenly I wolk out through the plain, To see mae ferlies,7 that I might tell again. Methought I happened on ane mountain soon I wandered up, and was wares of the moon, And had not been I looked in the stead,9 I had strucken ane lump out of my head. When I was weel, methought I could not live, But then I took the sunbeam in my neive, 10 I Beetles hatch rooks. 6 Snow. 2 Frozen sea. 7 More wonders. 3 Unearthly. And there he lived on limpets in her wame,' Till harvest time, that herdis drave them hame. By this was done, the tother twa returned To swallow me; great dool I made and murnèd : Down in ane henslaik,' and got ane felon fall, And lay betwixt ane pitcher and the wall! As wiffis commands, this Dream I will conclude, God and the Rood mot turn it all to good! Methought I fled, and through a park Gar fill the cup, for thir auld carlings could pass, And wakened syne; where trow ye that That gentle ale is oft the cause of I was? dreams. claims JAMES V. JAMES THE FIFTH's title to the authorship of "The Gaberlunzie Man" and "The Jolly Beggar" is not so well established as to justify our unhesitatingly | ascribing them to him. That they refer to adventures in his life is very probable; and we are not aware of their being attributed to any other author. That James wrote poetry himself, and was a generous patron of poets, is placed beyond dispute by Lindsay and Bellenden; yet, curiously enough, while they both praise his poetical gifts, neither of them specifies the title of any of his pieces; nor do they give such indications of their contents as enable us to decide whether the poems in question were known to them. Drummond of Hawthornden also bears testimony to James's poetical gifts, as, he says, "many of his works yet extant testify." But, as Chalmers remarks, it is easier to prove James a poet than to produce specimens of his poetry. Lindsay's to "The King's Flyting' answer I Belly. shows what the character of that poem was, and that its loss is not a matter of popular regret. Bishop Percy, and Mr Callander of Craigforth, concur in recognising "The Gaberlunzie Man” as James's; and Ritson and Lord Orford credit him with "The Jolly Beggar," which Sir Walter Scott described as the best comic ballad in any language; but Chalmers and Sibbald dispute his right to either. In giving these two ballads under his name, we are not supposed to have decided the question of their authorship, beyond placing them under the only name with which they have been popularly associated. It is very obvious that the versions we have got are much modernized,—a fact which renders the question of authorship doubly puzzling. The chief events of the King's life, so far as they bear upon his poetical genius and the cultivation of it, are referred to in Lindsay's life. Although his forma education may be said to have been Fowl's crib (?) THE GABERLUNZIE MAN. I. The pawky' auld carle came o'er the lee, Will you lodge a silly poor man? II. discontinued at the age of twelve, yet, O wow! quo' he, were I as free And I wad never think lang. ment. III. And O, quo' he, an' ye were as black And awa' wi' me thou shou'd gang. And awa' wi' thee I would gang. IV. Between the twa was made a plot ; And fast to the bent 8 are they gane. And at her leisure pat on her claise; To speer9 for the silly poor man. I Knowing and wag- 2 Beyond the fireside. 3 Merrily chanted. 4 Merry. 5 Mother. 6 Busily. 7 Clad. 8 Afield. 9 Inquire. V. She gaed to the bed where the beggar lay; For some of our gear will be gane! VI. Since naething's awa', as we can learn, And bid her come quickly ben. She's aff with the gaberlunzie man. O fy gar ride, and fy gar rin, Sic a poor man she'd never trow, After the gaberlunzie man. My dear, quo' he, ye're yet o'er young, And hae na learn'd the beggar's tongue, To follow me frae town to town, And carry the gaberlunzie on. X. Wi' cauk and keel I'll win your bread, And spindles and whorles for them wha need, Whilk is a gentle trade indeed, To carry the gaberlunzie on. While we shall be merry and sing. THE JOLLY BEGGAR. I. There was a jollie beggar, Let the moon shine e'er so bright. II. The beggar's bed was made at e'en, Wi' gude clean straw and hay, And in ahint the ha' door 'Twas there the beggar lay. Up gat the gudeman's daughter, All for to bar the door, And there she saw the beggar-man Standing in the floor. I Chalk and red clay. |