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A SUMMER SABBATH WALK.

Delightful is this loneliness; it calms
My heart: pleasant the cool beneath these
elms,

That throw across the stream a moveless
shade.

Buoyant he flutters but a little while,
Mistakes th' inverted image of the sky
For heaven itself, and, sinking, meets his
fate.

Now let me trace the stream up to its

source

Among the hills; its runnel by degrees Here nature in her midnoon whisper Diminishing, the murmur turns a tinkle. speaks : Closer and closer still the banks approach, How peaceful every sound!-the ring- Tangled so thick with pleaching bramble dove's plaint, Moan'd from the twilight centre of the With brier, and hazel branch, and haw

grove,

While every other woodland lay is mute, Save when the wren flits from her downcoved nest,

And from the root-sprig trills her ditty clear,

The grasshopper's oft-pausing chirp,—
the buzz,

Angrily shrill, of moss-entangled bee,
That, soon as loosed, booms with full

twang away,

The sudden rushing of the minnow shoal, Scared from the shallows by my passing tread.

Dimpling the water glides, with here and there

A glossy fly, skimming in circlets gay The treacherous surface, while the quickeyed trout

shoots,

thorn spray,

That, fain to quit the dingle, glad I mount
Into the open air: grateful the breeze
That fans my throbbing temples ! smiles
the plain

Spread wide below: how sweet the placid
view;

But O! more sweet the thought, heartsoothing thought,

That thousands and ten thousands of the

sons

Of toil partake this day the common joy
Of rest, of peace, of viewing hill and dale,
Of breathing in the silence of the woods,
And blessing Him who gave the Sabbath
day.

Yes, my heart flutters with a freer throb,
To think that now the townsman wanders
forth

Watches his time to spring; or, from Among the fields and meadows, to enjoy above, The coolness of the day's decline; to see Some feather'd dam, purveying 'midst the His children sport around, and simply boughs, pull

Darts from her perch, and to her plume- The flower and weed promiscuous, as a less brood

boon,

Bears off the prize :-sad emblem of Which proudly in his breast they smiling

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Now, when the downward sun has left the glens,

Each mountain's rugged lineaments are traced

Upon the adverse slope, where stalks gigantic

The shepherd's shadow thrown athwart the chasm,

As on the topmost ridge he homeward hies.

THE WILD DUCK AND HER BROOD.

How calm that little lake! no breath of wind

Sighs through the reeds; a clear abyss it

seems,

Held in the concave of the inverted sky,In which is seen the rook's dull flagging wing

How deep the hush! the torrent's channel, Move o'er the silvery clouds. How dry,

Presents a stony steep, the echo's haunt. But, hark, a plaintive sound floating along!

'Tis from yon heath-roof'd shielin'; now it dies

Away, now rises full; it is the song Which He,-who listens to the halleluiahs

Of choiring Seraphim,- delights to hear;

peaceful sails

Yon little fleet, the wild duck and her brood!

Fearless of harm, they row their easy way; The water-lily, 'neath the plumy prows, Dips, re-appearing in their dimpled track. Yet, even amid that scene of peace, the noise

Of war, unequal, dastard war, intrudes. Yon revel rout of men, and boys, and dogs,

It is the music of the heart, the Boisterous approach; the spaniel dashes

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Quick he descries the prey; and faster swims,

And eager barks; the harmless flock, dismay'd,

The grandsire and the saint; his silvery Hasten to gain the thickest grove of reeds,

locks

Beam in the parting ray: before him lies,

Upon the smooth-cropt sward, the open book,

His comfort, stay, and ever-new delight!

While, heedless, at his side, the lisping boy

Fondles the lamb that nightly shares his couch.

All but the parent pair; they, floating, wait

To lure the foe, and lead him from their young;

But soon themselves are forced to seek the shore.

Vain then the buoyant wing; the leaden

storm

Arrests their flight; they, fluttering, bleeding fall,

And tinge the troubled bosom of the lake.

ALEXANDER WILSON.

1766-1813.

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WILSON, the American ornithologist, | appropriate, as he termed it, for "a and the author of " Watty and Meg,' mortal with legs." But that the pedlar even to those who know that they are was to some extent meant as a stalkingone and the same person, represents two horse to the poet, and the curious obdifferent and somewhat uncongenial server of men and manners, is evident characters. We are so unaccustomed to from the quaint "Journal" which he regard the votary of the Muses equally kept of his rambles, and his having in devoted to a quest that requires the ex- in 1790 added a volume of poems, of ercise of daring adventure, perseverance, his own composition, to the contents of and physical endurance, that, when it his pack. But he fell between the prodoes occur, the idea of separate indi- verbial "two stools ;" and some of his viduality is constantly suggested to us. peddling ideas show so little of the shrewdness of the order, and so much of what nature intended him for, that it is no surprise to find him again obliged to resume his seat at the loom-only for a time, however.

Alexander Wilson, who thus impresses us, was born in Paisley, July 6th, 1766, in which birthplace of many poets his father was a weaver, and, it is also suspected, a distiller in a small, and not to be too minutely inquired into way. His mother, whose maiden name was Mary M'Nab, died when he was but ten years old; but his father, who, notwithstanding his reputed participation in contraband, appears to have been a man of a superior order, early imbued his mind with a love of nature and of books, intending to educate him for the Church. What prevented this purpose from being carried out we are not informed; for, after attending the Paisley grammar-school for some time, young Wilson, at the age of thirteen, was sent to learn the staple trade of his native place-that of weaving.

This he abandoned for some time for the more romantic occupation of a travelling chapman or pedlar-more

His Scotch love of debate brought him to Edinburgh, where he read his poem, "The Laurel Disputed," before the Pantheon Club, when the comparative merits of Fergusson and Ramsay were made the subject of an evening's discussion. Wilson took the side of Fergusson, but was in the minority. This freak procured him some literary acquaintances, including Dr Anderson, the editor of The Bee, to which Wilson afterwards contributed. In 1791, he issued a second edition of his poems.

In 1792, he published "Watty and Meg" anonymously, and it was for some time attributed to Burns, who, on its being cried about the streets of Dumfries by Andrew Hislop, a well-known hawker, as a new ballad by Robert Burns, replied, "That's a lee, Andrew ;

but I would make your plack a bawbee, if it were mine." This anecdote was told to Dr Robert Chambers by the poet's widow. Wilson was highly gratified by the compliment implied in the mistake as to authorship, and the popularity of the piece-a popularity which it still, to a large extent, main

tains.

But his next venture was not so well judged; for on account of a satire, entitled "The Shark, or Lang Mills Detected," and some outspoken admiration of the principles of the French Revolution, after being for some time in jail, he was obliged to consult his safety by going to the United States in 1799, making the voyage on deck, and landing with but a few shillings in his pocket.

His future history belongs to America, and his wider fame to Ornithology, which study occupied most of his after-life. Eight volumes of his great work on the birds of America, the materials for which he underwent immense labour to collect, was complete, and a ninth was to have finished the book, when one day, in his eagerness to obtain a rare specimen, he swam a river and caught a cold, which ended his life on the 23d August 1813. He was buried with public honours at Philadelphia, where a marble tombstone covers his remains. In 1874, a monument was erected to his memory in Paisley Abbey churchyard. In 1832, an edition of his Ornithology, with a life and notes, was edited by Sir William Jardine. The most complete edition of his poems and letters, with a life, 2 vols., edited by the Rev. Alex

ander B. Grosart, was published at Paisley, in 1876.

WATTY AND MEG.

[The graphic vigour and Dutch plainness of the picture here drawn are its chief characteristics. It would not have added to the reputation of the genius that drew "The Jolly Beggars," although he modestly thought so. The last stanza is here omitted.]

Keen the frosty winds were blawing,

Deep the snaw had wreathed the ploughs,

Watty, wearied a' day sawing,

Daunert down to Mungo Blue's.

Dryster Jock was sitting cracky
Wi' Pat Tamson o' the Hill:
"Come awa'," quo' Johnny, "Watty!
Haith, we'se hae anither gill.”
Watty, glad to see Jock Jabos,

And sae mony neighbours roun',
Kicket frae his shoon the snaba's,
Syne ayont the fire sat down.
Ower a broad wi' bannocks heapet,
Some were roaring, ithers sleepit,
Cheese, and stoups, and glasses stood;

Ithers quietly chewt their cude.

Jock was selling Pate some tallow,
A' the rest a racket hel',
A' but Watty, wha, poor fallow !
Sat and smoket by himsel'.
Mungo fill'd him up a toothfu',

Drank his health and Meg's in ane;
Watty, puffing out a mouthfu’,

Pledged him wi' a dreary grane.

"What's the matter, Watty, wi' you? Trouth your chafts are fa'ing in! Something's wrang, I'm vex'd to see you, Gudesake! but ye're desp'rate thin!"

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How lofty, sweet Afton, thy neighbouring While o'er their heads the hazels hing,
hills,
The little birdies blithely sing,
Far mark'd with the courses of clear Or lightly flit on wanton wing,

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