She, whom the spital-house, and ulcerous sores Timon of Athens-Shakspeare. MCCCX. Here's the place Which men (for being poor) are sent to starve in,- Within these walls, stifled by damp and stench, MCCCXI. The Prison, Act I. Quality and title have such allurements, that hundreds are ready to give up all their own importance, to cringe, to flatter, to look little, and to pall every pleasure in constraint, merely to be among the great, though without the least hopes of improving their understanding, or sharing their generosity: they might be happy among their equals, but those are despised for company where they are despised in turn.-Goldsmith. MCCCXII. Next to obtaining wealth, or pow'r, or ease, Most men affect in general to please: Of this affection vanity's the source, And vanity alone obstructs its course; That telescope of fools, thro' which they spy Merit remote, and think the object nigh. The glass remov'd would each himself survey, And in just scales his strength and weakness weigh, Pursue the path for which he was design'd, And to his proper force adapt his mind, Scarce one but to some merit might pretend, Perhaps might please, at least would not offend. Congreve. Love's a mighty lord, Nor to his service, no such joy on earth! Upon the very naked name of love. MCCCXIV. Shakspeare. I think you ought to be well informed how much your husband's revenue amounts to, and be so good a computer as to keep within it that part of the management which falls to your share, and not to put yourself in the number of those politic ladies, who think they gain a great point when they have teazed their husbands to buy them a new equipage, a laced head, or a fine petticoat, without once considering what long score remained unpaid to the butcher.-Swift's Letter to a Young Lady. MCCCXV. Nor are we ignorant how noble minds As virtue for itself, so fortune, base; Who's first in worth, the same be first in place. MCCCXVI. Ben Jonson. Nat Lee's thoughts are wonderfully suited for tragedy, but frequently lost in such a crowd of words, that it is hard to see the beauty of them. There is infinite fire in his works, but so involved in smoke, that it does not appear in half its lustre.-Addison. MCCCXVII. He cannot be a perfect man, Not being tried, and tutor'd in the world: Shakspeare. MCCCXVIII. It is dangerous for mortal beauty, or terrestrial virtue, to be examined by too strong a light. The torch of truth shows much that we can not, and all that we would not see. In a face dimpled with smiles, it has often discovered malevolence and envy, and detected under jewels and brocade, the frightful forms of poverty and distress. A fine hand of cards have changed before it into a thousand spectres of sickness, misery, and vexation; and immense sums of money, while the winner counted them with transport, have, at the first glimpse of this unwelcome lustre, vanished from before him.Mulso. MCCCXIX. He strikes no coin, 'tis true, but coins new phrases, And vends them forth as knaves vend gilded counters, Which wise men scorn, and fools accept in payment. Old Play. MCCCXX. O you gods! what a number He cheers them up too. I wonder, men dare trust themselves with men! Is the readiest man to kill him: It has been proved. If I Were a huge man, I should fear to drink at meals; Lest they should spy my windpipe's dangerous notes: Great men should drink with harness on their throats. Timon of Athens-Shakspeare. MCCCXXI. The study of truth is perpetually joined with the love of virtue; for there's no virtue which derives not its original from truth; as, on the contrary, there is no vice which has not its beginning from a lie. Truth is the foundation of all knowledge, and the cement of all societies. Casaubon. MCCCXXII. Our cider and Perry Or reel any whither. It stuffs up our brains with froth and with yeast, man. MCCCXXІІ. Fear guides more to their duty than gratitude: for one man who is virtuous from the love of virtue, from the obligation which he thinks he lies under to the Giver of all, there are ten thousand who are good only from their apprehensions of punishment. Goldsmith. MCCCXXIV. Well the learned and the judicious know, For, as when painters form a matchless face, Epilogue to the Way of the World.-Congreve. MCCCXXV. What a piece of work is man! How noble in reason! how infinite in faculties! in form, in moving, how exVOL. II. Ff press and adurée Ir action, how like an angel! in appreness w god the beauty of the world! And yet, to me, what is this canmater stuss-Balospeare. MERCXXVI. HYA Buds gre me s face, mertents more taketh me, amitenes of art: meves, but not mine heart. Ben Jonson |