The Real Thing: Imitation and Authenticity in American Culture, 1880-1940This is a perceptive study of the relationship between technology and culture. Orvell discusses Whitman and his world, then considers material culture, photography, and literature. Among the cultural figures discussed are writers Henry James, John Dos Pas |
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Whitmans Transformed Eye | 3 |
Introduction | 33 |
A Hieroglyphic World The Furnishing of Identity in Victorian Culture | 40 |
Photography and the Artifice of Realism | 73 |
The Romance of the Real | 103 |
Introduction | 141 |
The Real Thing and the Machinemade World | 157 |
The Camera and the Verification of Fact | 198 |
Not Realism but Reality Itself | 240 |
The Dump Is Full of Images | 287 |
Notes | 301 |
341 | |
375 | |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
aesthetic Agee American appear artist authenticity become beginning building called camera character civilization course Crane creating culture decades earlier early effect effort Evans example experience expression fact fiction function furniture Grass hand Howells human imagination imitation important individual industrial kind late later Leaves literary literature living look machine mass material meaning mechanical mind move movement Mumford nature nineteenth century novel objects observed offered painting Passos person photographs picture poem poet popular portrait practice present problem production real thing realism reality representation represented scenes seems seen sense social society stand Stieglitz story street structure style taste thought tion tradition turn twentieth century values vision Whitman whole Wright writer wrote York