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الصفحة 424
Efua Sutherland from Ghana in her play Foriwa ( 1967 ) and elsewhere uses ' traditional modes of theatre to promote social change ' . Performance as a didactic concept has led her to organise plays and improvisations both in English and ...
Efua Sutherland from Ghana in her play Foriwa ( 1967 ) and elsewhere uses ' traditional modes of theatre to promote social change ' . Performance as a didactic concept has led her to organise plays and improvisations both in English and ...
الصفحة 536
along these lines are Ethnophony ( for traditional instruments , 1964 ) and Jona ( for narrators , singers , dancers and traditional instruments , 1964 ) . On his return to Nigeria in 1966 he joined the Nigerian Broadcasting Corporation ...
along these lines are Ethnophony ( for traditional instruments , 1964 ) and Jona ( for narrators , singers , dancers and traditional instruments , 1964 ) . On his return to Nigeria in 1966 he joined the Nigerian Broadcasting Corporation ...
الصفحة 541
Ojo maaro is set to a popular traditional Yoruba prayer for abundant rainfall , while ' Ja itanna to ntan ' is a setting of another popular Yoruba poem entitled ' Pluck flowers while they are in bloom ' .
Ojo maaro is set to a popular traditional Yoruba prayer for abundant rainfall , while ' Ja itanna to ntan ' is a setting of another popular Yoruba poem entitled ' Pluck flowers while they are in bloom ' .
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المحتوى
The economic implications of transformations in Akan funeral rites Kwame Arhin | 307 |
Reviews of books | 415 |
Journal of the International African Institute | 445 |
حقوق النشر | |
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