Blues, Ideology, and Afro-American Literature: A Vernacular TheoryUniversity of Chicago Press, 22/11/2013 - 295 من الصفحات Relating the blues to American social and literary history and to Afro-American expressive culture, Houston A. Baker, Jr., offers the basis for a broader study of American culture at its "vernacular" level. He shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it. |
المحتوى
| 1 | |
| 15 | |
Generational Shifts AfroAmerican Literary Critcism and the Study of Expressive Culture | 64 |
Fictive Discourse Black Wholes and a Blues Book Most Excellent | 113 |
Conclusion | 200 |
Notes | 205 |
Index | 221 |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
aboveground achieve African Afro Afro-American culture Afro-American expressive culture Afro-American literary Afro-American literature American literary Amiri Baraka analysis artistic Black Aesthetic black hole blues Brent's citations refer commercial deportation concepts consciousness creative critical Daniels discussion Douglass Dunbar's economics of slavery Ellison essay existence experience fiction fictive Fredric Jameson freedom function Gates Gates's Gods Hayden White Henderson hereafter marked human ideological Iguanodon implied Integrationist Invisible labor labour power language linguistic literary history literary-critical literary-theoretical master matrix means metaphor modes narrative narrator Negro notion novel numbers in parentheses Olaudah Equiano paradigm Plantation Tradition poetry pregeneric myth protagonist Ralph Ellison reading relationship Richard Wright rites semiotic sexual Shadow and Act sharecropper sharecropper's signal signifying slave social song southern Sport status Stepto structure suggests surplus value symbolic theoretical theory tion traditional trickster trope tropological underground University Press Vassa vernacular w)hole Wright writes York