Hesperia: Ergänzungsreihe, Schriften zur englischen PhilologieVandenhoeck & Ruprecht, 1915 - 181 من الصفحات |
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الصفحة 45
... Salamenes contains no infor- mation that could not be , and hardly any that is not , given in the following dialogue - scene . Byron had in view a definite dra- matic principle and evidently regarded this initial soliloquy as but half ...
... Salamenes contains no infor- mation that could not be , and hardly any that is not , given in the following dialogue - scene . Byron had in view a definite dra- matic principle and evidently regarded this initial soliloquy as but half ...
الصفحة 47
... Salamenes ' knowledge of the conspiracy at the opening of the play . The king admits that he knows nothing of how Salamenes came by this knowledge ( I , ii , 461 ) , but Byron should not have left the reader in the same ignorance . play ...
... Salamenes ' knowledge of the conspiracy at the opening of the play . The king admits that he knows nothing of how Salamenes came by this knowledge ( I , ii , 461 ) , but Byron should not have left the reader in the same ignorance . play ...
الصفحة 49
... Salamenes in Sardanapalus and in the passage from Werner quoted above . The number of monologues in each of Byron's plays , exclusive of brief " asides , " is as follows : Manfred , 7 ; Marino Faliero , 6 ; Sardanapalus , 7 ; The Two ...
... Salamenes in Sardanapalus and in the passage from Werner quoted above . The number of monologues in each of Byron's plays , exclusive of brief " asides , " is as follows : Manfred , 7 ; Marino Faliero , 6 ; Sardanapalus , 7 ; The Two ...
الصفحة 51
... Salamenes with which the play opens shows the peril in which the king stands , and sense of this is increased by the sight of the slothful luxury in which he lives . The peril is made more dire by his refusal to cancel the midnight ...
... Salamenes with which the play opens shows the peril in which the king stands , and sense of this is increased by the sight of the slothful luxury in which he lives . The peril is made more dire by his refusal to cancel the midnight ...
الصفحة 106
... Salamenes ' opening speech : " If born a peasant , he had been a man To have reached an empire : to an empire born He will bequeath none ; nothing but a name " ( I , i , 13 f . ) 1 Edgcumbe , p . 101 . 2 Karl Elze , Life of Byron , 1872 ...
... Salamenes ' opening speech : " If born a peasant , he had been a man To have reached an empire : to an empire born He will bequeath none ; nothing but a name " ( I , i , 13 f . ) 1 Edgcumbe , p . 101 . 2 Karl Elze , Life of Byron , 1872 ...
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Abel action Aholibamah Alfieri Anah angel appears Astarte Beddoes Bertram Byron's plays Cain Cain's catastrophe Cenci character Childe Harold classical climax Coleridge's comedy composition conception contrast Countess Guiccioli crime criticism death Deformed Transformed Doge Don Juan dramatists E. H. Coleridge Eimer element Elizabethan English evil expression Faust Foscari Giaour Gothic Heaven and Earth hero Hesperia historical human indebtedness influence interest Jaffier Joanna Baillie king lack Lady letters lines London Lord Byron Lucifer Macbeth Manfred Manfred's Manicheism Marino Faliero Mary Chaworth Medwin mind mood Moore motive murder Myrrha mystery nature pantheism passage passion piece plot poem poet Poetical poetry preface prologue Prometheus protagonist reference remorse resemblance romanticism Salamenes Sardanapalus says scene Shakespeare Shelley Shelley's shows soliloquy soul spirit stage Steno story theme things Thomas Lovell Beddoes thou thought tragedy tragic unities Venice Werner words write wrote LJ