Hesperia: Ergänzungsreihe, Schriften zur englischen PhilologieVandenhoeck & Ruprecht, 1915 - 181 من الصفحات |
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الصفحة 52
... evil principle itself , and then of death . Or it may be thought of as a steady decline towards death . It has , at any rate , no pretence to the dual movement , first upward and then down , which is charac- teristic of drama . In Cain ...
... evil principle itself , and then of death . Or it may be thought of as a steady decline towards death . It has , at any rate , no pretence to the dual movement , first upward and then down , which is charac- teristic of drama . In Cain ...
الصفحة 53
... Evil Principle and gains converse with the dead . This is the utmost of his power . Thence by swift decline he goes down to death . He has sought for death ; therefore the very moment of the climax may be fixed at 1 E. Woodbridge , The ...
... Evil Principle and gains converse with the dead . This is the utmost of his power . Thence by swift decline he goes down to death . He has sought for death ; therefore the very moment of the climax may be fixed at 1 E. Woodbridge , The ...
الصفحة 58
... evil spirits who haunt his death - bed . In a moment of discouragement Byron wrote ( LJ . V , 218 ) , " Many people think my talent ' essentially undramatic , ' and I am not at all clear that they are not right . " To a great extent ...
... evil spirits who haunt his death - bed . In a moment of discouragement Byron wrote ( LJ . V , 218 ) , " Many people think my talent ' essentially undramatic , ' and I am not at all clear that they are not right . " To a great extent ...
الصفحة 76
... Evil who from his nature can endure but for a time . The analogy to Manfred is close . For just as Prometheus is not in revolt against Demogorgon , but rather in harmony with him , so Manfred breathes no defiance against " the ...
... Evil who from his nature can endure but for a time . The analogy to Manfred is close . For just as Prometheus is not in revolt against Demogorgon , but rather in harmony with him , so Manfred breathes no defiance against " the ...
الصفحة 80
... evil is Byron's great alteration of the Faust - idea . Manfred retains his inde- pendence . There is a variation of the same theme in Cain ( I , i , 302 f . ) and it becomes the central idea of The Deformed Transformed , where the devil ...
... evil is Byron's great alteration of the Faust - idea . Manfred retains his inde- pendence . There is a variation of the same theme in Cain ( I , i , 302 f . ) and it becomes the central idea of The Deformed Transformed , where the devil ...
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Abel action Aholibamah Alfieri Anah angel appears Astarte Beddoes Bertram Byron's plays Cain Cain's catastrophe Cenci character Childe Harold classical climax Coleridge's comedy composition conception contrast Countess Guiccioli crime criticism death Deformed Transformed Doge Don Juan dramatists E. H. Coleridge Eimer element Elizabethan English evil expression Faust Foscari Giaour Gothic Heaven and Earth hero Hesperia historical human indebtedness influence interest Jaffier Joanna Baillie king lack Lady letters lines London Lord Byron Lucifer Macbeth Manfred Manfred's Manicheism Marino Faliero Mary Chaworth Medwin mind mood Moore motive murder Myrrha mystery nature pantheism passage passion piece plot poem poet Poetical poetry preface prologue Prometheus protagonist reference remorse resemblance romanticism Salamenes Sardanapalus says scene Shakespeare Shelley Shelley's shows soliloquy soul spirit stage Steno story theme things Thomas Lovell Beddoes thou thought tragedy tragic unities Venice Werner words write wrote LJ