Hesperia: Ergänzungsreihe, Schriften zur englischen PhilologieVandenhoeck & Ruprecht, 1915 - 181 من الصفحات |
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الصفحة 4
... motive of terror was combined with that of sentimen- tality in many plays translated or imitated from the German . For a while the plays of Kotzebue were immensely popular . Menschenhass und Reue was produced in 1798 , followed a year ...
... motive of terror was combined with that of sentimen- tality in many plays translated or imitated from the German . For a while the plays of Kotzebue were immensely popular . Menschenhass und Reue was produced in 1798 , followed a year ...
الصفحة 10
... motive is that afterwards adopted by Byron , and the conse- quence of this emphasis is the same in both cases almost complete stagnation of the action through long stretches of dialogue . The real action is spiritual , the progress ...
... motive is that afterwards adopted by Byron , and the conse- quence of this emphasis is the same in both cases almost complete stagnation of the action through long stretches of dialogue . The real action is spiritual , the progress ...
الصفحة 11
... motive instead of mechanical action , to portray , however imperfectly , the struggles of human volition , all put it on a relatively high level of achievement . 8 Coleridge's second attempt to win success upon the stage was a failure ...
... motive instead of mechanical action , to portray , however imperfectly , the struggles of human volition , all put it on a relatively high level of achievement . 8 Coleridge's second attempt to win success upon the stage was a failure ...
الصفحة 16
... motive , is almost unsurpassed , though his thought never reaches the profundity of Coleridge . His experiments in dramatic com- position are of little value . John Woodvil3 ( 1802 ) , the best of his plays , might be classed with the ...
... motive , is almost unsurpassed , though his thought never reaches the profundity of Coleridge . His experiments in dramatic com- position are of little value . John Woodvil3 ( 1802 ) , the best of his plays , might be classed with the ...
الصفحة 28
... motive . This is illustrated by Miss Baillie , Coleridge , and others ; and especially by Byron . It reaches its climax in Browning's dramas . In Luria , for example , there is a minute examination and revelation of every thought and ...
... motive . This is illustrated by Miss Baillie , Coleridge , and others ; and especially by Byron . It reaches its climax in Browning's dramas . In Luria , for example , there is a minute examination and revelation of every thought and ...
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Abel action Aholibamah Alfieri Anah angel appears Astarte Beddoes Bertram Byron's plays Cain Cain's catastrophe Cenci character Childe Harold classical climax Coleridge's comedy composition conception contrast Countess Guiccioli crime criticism death Deformed Transformed Doge Don Juan dramatists E. H. Coleridge Eimer element Elizabethan English evil expression Faust Foscari Giaour Gothic Heaven and Earth hero Hesperia historical human indebtedness influence interest Jaffier Joanna Baillie king lack Lady letters lines London Lord Byron Lucifer Macbeth Manfred Manfred's Manicheism Marino Faliero Mary Chaworth Medwin mind mood Moore motive murder Myrrha mystery nature pantheism passage passion piece plot poem poet Poetical poetry preface prologue Prometheus protagonist reference remorse resemblance romanticism Salamenes Sardanapalus says scene Shakespeare Shelley Shelley's shows soliloquy soul spirit stage Steno story theme things Thomas Lovell Beddoes thou thought tragedy tragic unities Venice Werner words write wrote LJ