Hesperia: Ergänzungsreihe, Schriften zur englischen PhilologieVandenhoeck & Ruprecht, 1915 - 181 من الصفحات |
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الصفحة 18
... Prologue , on the model of the Eliza- bethans . It is an Italian tragedy of passion , one of the long series from such plays as Webster's tragedies to Swinburne's Duke of Gandia . The story is of a father and son , rivals in love . The ...
... Prologue , on the model of the Eliza- bethans . It is an Italian tragedy of passion , one of the long series from such plays as Webster's tragedies to Swinburne's Duke of Gandia . The story is of a father and son , rivals in love . The ...
الصفحة 31
... Prologue ( P. I , 45 ) , following the conventional type the request for applause or at least indulgence . Years later he wrote ( LJ . V , 445 ) , " When I was a youth I was reckoned a good actor " , and Medwin says ( p . 134 ) ...
... Prologue ( P. I , 45 ) , following the conventional type the request for applause or at least indulgence . Years later he wrote ( LJ . V , 445 ) , " When I was a youth I was reckoned a good actor " , and Medwin says ( p . 134 ) ...
الصفحة 44
... prologue is related to the dumb - show which precedes the spoken play - within - the - play in Hamlet . For the most part , however , the Elizabethan prologue became more and more separated from the action , and resolved itself into an ...
... prologue is related to the dumb - show which precedes the spoken play - within - the - play in Hamlet . For the most part , however , the Elizabethan prologue became more and more separated from the action , and resolved itself into an ...
الصفحة 45
... prologue directed to the audience and closely related to the Chorus of Romeo and Juliet , which surveys the situ- ation yet tells nothing that is not more fully imparted in the following expository scenes . This is the " Euripidean ...
... prologue directed to the audience and closely related to the Chorus of Romeo and Juliet , which surveys the situ- ation yet tells nothing that is not more fully imparted in the following expository scenes . This is the " Euripidean ...
الصفحة 91
... Venice " ( LJ . IV , 370 ) . - 2 Cf. the Prologue , p . 293 . The character of Antonio is a disgraceful satire upon the great Earl of Shaftesbury . conscious of the reek and stench of Vienna . A The Two Venetian Plays . 91.
... Venice " ( LJ . IV , 370 ) . - 2 Cf. the Prologue , p . 293 . The character of Antonio is a disgraceful satire upon the great Earl of Shaftesbury . conscious of the reek and stench of Vienna . A The Two Venetian Plays . 91.
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Abel action Aholibamah Alfieri Anah angel appears Astarte Beddoes Bertram Byron's plays Cain Cain's catastrophe Cenci character Childe Harold classical climax Coleridge's comedy composition conception contrast Countess Guiccioli crime criticism death Deformed Transformed Doge Don Juan dramatists E. H. Coleridge Eimer element Elizabethan English evil expression Faust Foscari Giaour Gothic Heaven and Earth hero Hesperia historical human indebtedness influence interest Jaffier Joanna Baillie king lack Lady letters lines London Lord Byron Lucifer Macbeth Manfred Manfred's Manicheism Marino Faliero Mary Chaworth Medwin mind mood Moore motive murder Myrrha mystery nature pantheism passage passion piece plot poem poet Poetical poetry preface prologue Prometheus protagonist reference remorse resemblance romanticism Salamenes Sardanapalus says scene Shakespeare Shelley Shelley's shows soliloquy soul spirit stage Steno story theme things Thomas Lovell Beddoes thou thought tragedy tragic unities Venice Werner words write wrote LJ