Kalhanas Rajatarngini (vol.3)Motilal Banarsidass, 1979 - 296 من الصفحات Kalhana`s Rajatarangini is the most famous historical poem which records the oldest and fullest history of the legendary kings of Kashmir as well as gives accounts of the Kashmirian kings of the historical period. It consists of eight chapters and draws upon earlier sources, notably the Nilamata Purana.Sir Stein recognising the inestimable value of the only work of its kind, succeeded in publishing the critical edition of the text as early as in 1892.The interest of this treatise for Indian history generally lies in the fact that it represents a class of Sanskrit composition which comes nearest in character to the chronicles which continue Kalhana`s narrative it is practically the sole extant specimen of this class. |
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... called by him the codex archetypus . But he had not been able to obtain more than a glimpse of this ancient MS . from the owner , Pandit Keśavarām , in whose family it had come down as an heirloom . It had been my chief aim since my ...
... called by him the codex archetypus . But he had not been able to obtain more than a glimpse of this ancient MS . from the owner , Pandit Keśavarām , in whose family it had come down as an heirloom . It had been my chief aim since my ...
الصفحة
... called likewise Laghupañchikā , which has been printed in the Kavyamālā , and of the commentary , called Sishyahita , on the Yudhishthiravijayakāvya which has been noticed in Professor Bühler's 1. See colophon of tarañgas iii . and vii ...
... called likewise Laghupañchikā , which has been printed in the Kavyamālā , and of the commentary , called Sishyahita , on the Yudhishthiravijayakāvya which has been noticed in Professor Bühler's 1. See colophon of tarañgas iii . and vii ...
الصفحة
... called to the fact that blunders of copying and evident corrup- tions which are of very rare occurrence in the first six cantos , make their appearance more frequently in the seventh canto . These corruptions increase in number and ...
... called to the fact that blunders of copying and evident corrup- tions which are of very rare occurrence in the first six cantos , make their appearance more frequently in the seventh canto . These corruptions increase in number and ...