Die Wiederspenstige" gelangte außerdem in der Bearbeitung Holbein's als ,,Liebe kann alles" 22 mal zur Aufführung und zwar in folgenden Orten:

Bojanowo, Buck, Drebkau, Echzell, Erdmannsdorf, Eßlingen, Giesmannsdorf, Hochheim, Jutroschin, Kobylin, Kreuzburg, Kyritz, Langhennersdorf, Lüchow, Oppenheim, Ortenburg, Regen, Seligenstadt, Straßburg i. E. (Sommertheater, 2 m.) Wittenberge, Wolfhagen.

Armin Wechsung.

Shakespeare-Bibliographie

1889, 1890, 1891.

(Mit Nachträgen zur Bibliographie in Band I-XXIV des Jahrbuches).

Von

Albert Cohn.

Es wird in Erinnerung gebracht, daß die 'Bibliographie' Rezensionen, Theaterberichte, bildliche Darstellungen und musikalische Werke in der Regel nicht verzeichnet. Nur ausnahmsweise finden Artikel dieser Art Aufnahme.

I. ENGLAND und AMERIKA.

a. TEXTE.

A NEW VARIORUM EDITION OF SHAKESPEARE.

Edited by Horace Howard FURNESS.

Vol. VIII. As You Like It. Philadelphia: J. B. Lippincott Company. London: 10 Henrietta Street, Covent Garden, 1890. 8o. pp. xii, 452.

<<The text is that of the First Folio, as accurately reproduced as a comparison almost letter by letter can make it.» - (Preface).

Appendix: The text.

English Actors.

Date of composition. Source of the plot, including the texts of:
The tale of Gamelyn, and LODGE'S Rosalynde. The duration of the action.
criticisms. German criticisms. George SAND's Comme il vous plaira.
Costume. Music. - Plan of the work, etc. Index.
Reviewed: Poet-Lore. Philadelphia. Vol. II (1890), pp. 270-2, by Charlotte PORter.
The Saturday Review. London. No. 1809, June 28, 1890 (Vol. 69, p. 803).

SHAKSPERE-QUARTO-FACSIMILES.

No. 17. King Richard the Second. By William Shakespeare. The First Quarto, 1597. A facsimile in photo-lithography by William Griggs, from the copy in the possession of His Grace the Duke of Devonshire. With an introduction by Peter Augustin DANIEL. London: Printed by W. Griggs, 1890. 4o. pp. xxiii, 74.

No. 37. The First Part of the Contention. The First Quarto, 1594, from the unique copy in the Bodleian Library, Oxford. A facsimile, by photo-lithography, by Charles Praetorius. With forewords embodying the late R. Grant WHITE's argument on Shakspere's right to the whole of 2 and 3 Henry VI. By Frederick J. FURNIVALL. London: Produced by C. Praetorius, 1889. 4o. pp. xxviii, 63.

Jahrbuch XXVIL

21

No. 38. The True Tragedy. The First Quarto, 1595, from the unique copy in the Bodleian Library, Oxford. In accordance with previous usage the 1595 edition is here called, The First Quarto, but it is in fact an Octavo. A facsimile, by photo-lithography, by Charles Praetorius. With introduction by Thomas TYLER. London: Produced by C. Praetorius, 1891. 4o. pp. xviii, 79.

No. 43. Richard the Third By William Shakespeare. The sixth Quarto, 1622. [From the copy in the British Museum]. A facsimile in photo-lithography by Charles Praetorius. With an introductory notice by Peter Augustin DANIEL. London: Produced by C. Praetorius, 1889. 4o. pp. iv, 92.

The series of 43 Quarto Facsimiles is now complete.

For preceding parts see Jahrbuch XVI,

433. XVIII, 301. XX, 355. XXII, 284. XXIV, 213.

See The Academy, No. 994, May 23, 1891: The Shakspere Quarto Facsimile series, by
F. J. FURNIVALL.

THE MEMORIAL THEATRE EDITION.

Coriolanus: A tragedy, by William Shakespeare. Edited by C. E. FLOWER. London [Stratford-upon-Avon printed]: Samuel French [1890]. 8o. pp. vi, 1 leaf, pp. 101.

་

Page VI: <<The printer, in reading the proofs, discovered a curious, though unimportant editorial error. After the entrance in the first Scene of Titus Lartius his first two speeches are designated by the direction Tit.', while all his succeeding speeches throughout the play are properly designated by Lart.' The error originated in the First Folio, and has been continued in all subsequent editions down to the present day.>>

Stratford

Vol. I-XIV reviewed: Shakespeariana. New York. Vol. VIII. (1891) p. 56.
upon-Avon Herald. No. 1599, Mar. 6, 1891, and a German translation of this article in
Jahrbuch XXVI, 109–12.

THE HENRY IRVING SHAKESPEARE.

The works of William Shakespeare, edited by Henry IRVING and Frank 0. MARSHALL, etc. (See Jahrbuch XXIV, p. 214). Vol. VI-VIII (Conclusion). London: Blackie and Son, 1889-1890. 8o. double col. VI. pp. ix, 430. VIII. Portrait of Shakespeare (the VII. pp. ix, 390. Chandos), pp. lxxii, 2 (for Errata in vol. I--VII), 511.

--

Othello, the Moor of Venice. Introduction by F. A. MARSHALL. Notes by A. Wilson
VERITY and F. A. MARSHALL.

Antony and Cleopatra. Notes and introduction by Oscar Fay ADAMS and Arthur SYMONS.
Illustrations by Maynard BROWN.

Coriolanus. Notes and introduction by H. C. BEECHING. Illustrations by W. H. MARGETSON.
King Lear. Notes and introduction by Oscar Fay ADAMS and A. Wilson VERITY.

Vol. VII. Prefatory note by F. A. MARSHALL.

Timon of Athens. Notes and introduction by H. A. EVANS.

Cymbeline. Notes and introduction by THE SAME.

The Tempest. Introduction by Richard GARNETT. Notes by Arthur SYMONS.

Titus Andronicus. Introduction and notes by A. Wilson VERITY.

The Winter's Tale. Notes and introduction by Arthur SYMONS.

Prefatory note by Henry IRVING.

Life of Shakespeare and general introduction. By Edward DOWDEN.

Hamlet, Prince of Denmark. Introduction by F. A. MARSHALL. Notes by F. A. MARSHALL and Arthur SYMONS. [Mr. Marshall's share of the notes ends with Act I, scene 3]. King Henry VIII. Notes and introduction by Arthur SYMONS.

Pericles, Prince of Tyre. Notes and introduction by P. Z. ROUND.

Venus and Adonis.

The Rape of Lucrece. Notes and introductions by A. Wilson VERITY.
Sonnets. With notes and introduction by THE SAME. A Lover's Complaint. The
Passionate Pilgrim. · The Phoenix and the Turtle. Notes and introduction by THE SAME.
Index to subjects treated in the notes.
Reviewed: Vol. I-VIII: The Saturday Review. No. 1830, Nov. 22, 1890. (Vol. 70,
p. 599).
Vol. I-VI: The Athenaeum. London. No. 3231, Sept. 28, 1889, pp. 426-8.-
Vol. VII. VIII: Ibid. No. 3288, Nov. 1, 1890, p. 595. Vol. VI: Shakespeariana.
New York. Vol. VI (1889), pp. 533-6. The Saturday Review. London. No. 1761,
July 27, 1889. (Vol. 68, p. 118). Vol. VIII: The Academy. London. No. 967,
Nov. 15, 1890, p. 445, by Thomas TYLER.

THE INTERNATIONAL SHAKESPEARE.

With introductions by Edward DOWDEN.

London: Cassell and Co. 4o. [See Jahrbuch XXIV, 215].

Othello. With twelve illustrations [photogravures] from original drawings

by Frank DICKSEE. 1891.

THE BANKSIDE SHAKESPEARE. [For full title see Jahrbuch XXIV, p. 215.] Vol. IV-XV. New York: The Shakespeare Society of New York, 1889-1891. 8". Vol. IV, 1889: 4 ll. (one blank), pp. 239. Vol. V, 1889: 4 11. (one blank), p. 233. Vol. VI, 1889: 4 ll. (two blank), pp. 209. Vol. VII, 1890: 2 11., Vol. VIII, 1890: 2 11., pp. 159. Vol. IX, 1890: 2 11., pp. 263. Vol. X, 1890: Tit., pp. lxii, 214. Vol. XI, 1890: 2 ll., pp. cli, 255. 1890: 2 11., pp. 201. Vol. XIII, 1891: 2 ll., pp. xvi, 207.

pp. 235.

Vol. XII, Vol. XIV, 1891: 2 ll., pp. li, 149. — Vol. XV, 1891: 2 ll. including portrait of Richard III., pp. lvii, 239.

Vol. IV.

Contents.

-

Troilus and Cressida. (The players' text of 1609, with the Heminges and Condell text of 1623). With an introduction touching the question as to whether the play held Shakespeare's stage or was printed with his concurrence. By Appleton MORGAN.

Vol. V. The tragedie of Romeo and Juliet. (The players' text of 1597, with the Heminges and Condell text of 1623). With an introduction touching the question as to the medical acquirements of its writer. By B. Rush FIELD.

Vol. VI. - Much Adoe about Nothing. (The players' text of 1600, with the Heminges and
Condell text of 1623). With an introduction touching the influence upon the Shakespeare
plays of the Statute of James I. concerning the « Abuses of players ». By Wm. H. FLEMING.
Vol. VII. The lamentable tragedie of Titus Andronicus. (The players' text of 1600, with
the Heminges and Condell text of 1623). With an introduction touching the question as
to whether this was William Shakespeare's first dramatic work, and as to its stage adap-
tability and reception. By Appleton MORGAN.

Vol. VIII. A Midsommer Nights Dreame. (The players' text of 1600, with the Heminges
and Condell text of 1623). With an introduction touching the relation of the Fisher and
Roberts Quartos to each other, and the presentation of fairies upon the Elizabethan stage.
By William REYNOLDS.

Vol. IX.

The tragedie of Othello, the Moore of Venice. (The players' text of 1622, with the Heminges and Condell text of 1623). With an introduction on the construction and types of Shakespeare's verse as seen in this play. By Thomas R. PRICE. Vol. X.

King Lear. (The players' text of 1608, with the Heminges and Condell text of 1623). With an introduction touching the priority of the Pide Bull Quarto, the dependence of the Folio text upon the original sketch of the play, and sundry points of textual criticism. By Alvey Augustus ADEE.

Vol. XI.

Hamlet, Prince of Denmarke. (The players' text of 1603, with the Heminges and Condell text of 1623). With an introduction touching questions as to the origins of the play, and the time covered by its action. By Edward P. VINING.

Vol. XII.

The First Part of Henry the Fourth. (The players' text of 1598, with the Heminges and Condell text of 1623). With an introduction touching the genesis of the play. By Wm. H. FLEMING.

Vol. XIII. The Second Part of Henry the Fourth. (The players' text of 1600, with the Heminges and Condell text of 1623). With an introduction touching the materials of the first draft of the two parts of Henry IV. By Wm. H. FLEMING.

Vol. XIV. Pericles, Prince of Tyre. (The players' text of 1609, with the third Folio text of 1663-4). With an introduction touching the question of the genuineness of the play. By Appleton MORGAN.

Vol. XV. The tragedy of Richard the Third. (The players' text of 1597, with the
Heminges and Condell text of 1623). With an introduction touching the historical bases
of the play, its motive, authorship, and stage history. By Elias A. CALKINS.
Reviewed: Vol. II: The Athenaeum. London. No. 3222, July 27, 1889, p. 139. Vol. III.
IV. VI. VII. VIII: Ibid., No. 3275, Aug. 2, 1890, pp. 170—1. Vol. IX-XII: Ibid.
No. 3328, Aug. 8, 1891, p. 202. - On Vol. XII and XIII see an interesting letter by the
editor Wm. H. FLEMING to W. J. Rolfe in Shakespeariana. New York. Vol. VIII
(1891), pp. 236-9.

THE UNIVERSITY SHAKESPEARE. [Edited and annotated by members of the New Shakspere Society, under the direction of Herbert A. EVANS]. London: R. Sutton, Drowley and Co. Simpkin, Marshall and Co. 8°. [See Jahrbuch XXIV, 217]. The Tempest. Edited with introduction, notes and glossary, by Herbert A. EVANS. 1889. pp. xix, 117.

Julius Caesar. Edited, etc. by Benjamin Dawson. 1890.

Reviewed: The Saturday Review. No. 1822, Sept. 27, 1890. (Vol. 70, p. 375).
Coriolanus. Edited, etc. by Henry DAWSON. 1891. pp. 116.

PLAYS. [With introductions by Henry MORLEY].
London: Cassell and Co., 1888-9. 8o. 192 pp. each.

Cassell's National Library. [See Jahrbuch XXIV, 217].

The Two Gentlemen of Verona. With the Story of the Shepherdess Felismena. From the 'Diana' of George de MONTEMAYOR. Translated by B. YONGE. 1889. N. L., No. 174.

Twelfth Night, or What You Will. With Apolonius and Silla.' By Barnaby RICH. 1889. N. L., No. 199.

Measure for Measure. With the Historie of Promos and Cassandra. By G. WHETSTONE. 1889. N. L., No. 205.

Pericles. With the Story of the Prince of Tyre, from John GowER'S 'Confessio Amantis.' 1889. N. L., No. 206.

All's Well that Ends Well. With the Story of Giletta, from W. PAINTER'S 'Palace of Pleasure.' 1889. N. L., No. 208.

First Part of King Henry VI. 1889.

N. L., No. ?.

Third Part of King Henry VI. 1889.

N. L., No. ?.

King Richard the Third. With the True Tragedie of Richard the Third.' 1889. N. L., No, ?.

THE WORKS OF SHAKSPEARE, with a memoir, and essay on his genius by B. W. PROCTER, and illustrative engravings from designs by K. MEADOWS and T. H. NICHOLSON. 6 vol. London: Blackie and Son [Glasgow printed, 1886-8]. 4o.

Cancel the entry in Jahrbuch XXIV, 216.

THE FIRST FOLIO, 1623. Reproduced in facsimile (The Dallastype Shakespeare). London: Duncan C. Dallas. J. E. Garratt and Co., 1891. Imp. 80, and large paper F'cap folio.

THE WORKS OF WILLIAM SHAKSPEARE, with life and glossary. Carefully edited from the best texts. (The Bedford edition). 12 vol. London and New York: Frederick Warne and Co. [Edinburgh printed], 1889. 8°.

THE COMPLETE WORKS OF WILLIAM SHAKESPEARE. With a life of the poet, explanatory foot-notes, critical notes, and a glossarial index. By Henry N. HUDSON. (Harvard edition). 20 vol. Boston, Mass.: Ginn and Co., 1889. 120.

A reissue of the edition publ. 1880-1. See Jahrbuch XVIII, 302.
Reviewed: Shakespeariana. New York. Vol. VI (1889), pp. 527-39.

THE WORKS OF WILLIAM SHAKESPEARE. (The Albion edition). With life, glossary, etc. Prepared from the texts of the First Folio, the Quartos, and compared with recent commentators. By the editor of "The Chandos Classics.' London and New York: Frederick Warne and Co., 1889. 8o. pp. 1136.

THE WORKS OF WILLIAM SHAKSPERE. Edited by Charles KNIGHT. 3 vol. London: George Routledge and Sons, 1889. 8°.

Part of Routledge's 'Popular Library'.

SHAKESPEARE'S WORKS. (The Universal edition). London and New York: Frederick Warne and Co., 1889. 8o.

THE WORKS OF SHAKSPERE. Edited by Charles KNIGHT. With 370 illustrations by Sir J. GILBERT. (The Mignon edition). 6 vol. London: George Routledge and Sons, 1891, etc. 18o. (An Edition de luxe'. 6 vol. 8°.)

THE WORKS OF SHAKSPERE. Edited by Charles KNIGHT. (Red line library edition). 6 vol. London: George Routledge and Sons, 1891. 8o.

THE WORKS OF SHAKESPEARE. Edited by H. STAUNTON. (Cheap edition). 6 vol.

London: George Routledge and Sons, 1891. 8°.