Film Form: Essays in Film Theory

achieved action actor American appears Arthur Robison artistic aural basic battleship camera characteristic characters Charles Dickens cinematography close-up Clyde combination composition concept conflict construction course creative culture D. W. Griffith David Wark Griffith dialectic Dickens Dickens's direction dramatic dynamic effect Eisenstein elements embodiment emotional episode essay example expression figure Film Form film-makers frame Griffith idea ideogram ideological imagist inner monologue intellectual cinema Ivan the Terrible Ivor Montagu Japanese Kabuki language laws Le dernier milliardaire leap literary logical material matter means ment metric mise-en-scène montage pieces montage sequence Moscow move movement nature novel organic organic-ness overtone parallel pathos phenomena play Potemkin principle problem purely question representation rhythm rhythmic rôle scene screen sensual thinking sequence shot social sound sound-film Soviet cinema spectator speech stage story structure tempo tension theater theatrical thematic theme thing tion tonal unity Victor Shklovsky viewpoint visual whole words yawls