Literature, Culture and SocietyPsychology Press, 2005 - 336 من الصفحات As cultural studies has grown from its origins on the margins of literary studies, it has tended to discard both literature and sociology in favour of the semiotics of popular culture. Literature, Culture and Society makes a determined attempt to re-establish the connections between literary studies, cultural studies and sociology. Arguing against both literary humanism and sociological relativism, it provides a critical overview of theoretical approaches to textual analysis, from hermeneutics to postmodernism, and presents a substantive account of the capitalist literary mode of production. This second edition has been fully revised and rewritten, with new sections including the impact of psychoanalysis and post-structuralism, and the recent work of academics such as Franco Moretti. New case studies have been added in order to examine the intertextual connections between Genesis , Milton's Paradise Lost , Frankenstein (in Mary Shelley's original and also in several film versions), Karel Capek's R.U.R. , Fritz Lang's Metropolis , Ridley Scott's Blade Runner , The X-Files and Buffy the Vampire Slayer . |
المحتوى
Analytical strategies | 43 |
the forces of production | 89 |
from Genesis to Frankenstein | 195 |
from Rossums Universal | 239 |
43 | 290 |
Bibliography and filmography | 295 |
| 321 | |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Adam Adorno aesthetic American angels argued audience become Bennett Blade Runner Bloom Bourdieu British Buffy Buffy's canon Čapek capitalism cent central century cinema clearly comparative literature contemporary creature criticism cultural studies cyberpunk Deckard distinction dominant Dracula dystopia Eagleton effect English literature epic episodes Escarpit example F. R. Leavis feminist film film's France Frankenstein gender Genesis genre Goldmann Goodbye Iowa human ibid ideology increasingly individual insisted intellectual intertextual Jameson kind Leavis less literary studies Mary Shelley Mary Shelley's Milton modern monster Moretti Mulder myth narrative Nineteen Eighty-Four nonetheless organised Orwell Paradise Lost particular Percy Shelley played political popular culture post-structuralism posthuman postmodern problem published radical reading Robots Rossum's science fiction Scully sense Shelley Shelley's novel social society sociology structure television texts textual theory tion Tyrell UNESCO University Western Canon Williams Williams's writing X-Files Yoko Factor Žižek