Film Form: Essays in Film Theory

الغلاف الأمامي
HMH, 17‏/06‏/2014 - 304 من الصفحات
A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin.
 
Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.
 

ما يقوله الناس - كتابة مراجعة

LibraryThing Review

معاينة المستخدمين  - NickConstantine - LibraryThing

Sergei Eisenstein is a brilliant film theorist many consider to be the father of modern film theory. His work has inspired thinking from the early days of cinema and is still one of the most respected ... قراءة التقييم بأكمله

المحتويات

THROUGH THEATER TO CINEMA
THE UNEXPECTED
THE CINEMATOGRAPHIC PRINCIPLE AND THE IDEOGRAM
A DIALECTIC APPROACH TO FILM FORM
Photos 18
THE FILMIC FOURTH DIMENSION
METHODS OF MONTAGE
A COURSE IN TREATMENT
NEW PROBLEMS
THE STRUCTURE OF THE FILM
ACHIEVEMENT
DICKENS GRIFFITH AND THE FILM TODAY
Back Matter
Back Cover
Spine
حقوق النشر

FILM LANGUAGE

طبعات أخرى - عرض جميع المقتطفات

عبارات ومصطلحات مألوفة

حول المؤلف (2014)

Sergei Eisenstein, born in Riga in 1898, first achieved world fame with his silent film Potemkin in 1925. Although he completed only six films before his death in 1948, he is considered one of the most influential filmmakers and film theoreticians of our time.

معلومات المراجع