...Literature of Their Own was to stop the cycle whereby "each generation of women writers has found itself, in a sense, without a history, forced to rediscover...forging again and again the consciousness of their sex." lf> The cry from the heart of A Room of One's Own is that women writers have "no tradition behind them,...

...(Princeton: Princeton University Press, 1977), p. 10: 'each generation of women writers has found itself, in a sense, without a history, forced to rediscover...forging again and again the consciousness of their sex.' 22 Susan Gubar, 'Feminist misogyny: Mary Wollstonecraft and the paradox of "It takes one to know one"',...

...denied access to histories of women's writing, "each generation of women writers has found itself, in a sense, without a history, forced to rediscover...forging again and again the consciousness of their sex" (Literature 10). I am not suggesting that women's history and more specifically the history of feminism...

...songwtirers: ,.. each generation of women wtirers has found irself, in a sense, without a histoty, forced to rediscover the past anew, forging again and again the consciousness of theit sex. Given this perperual distuption ... that has alienared women wtirers ftom a sense of collective...

...earlier in this introduction by DuPlessis and Snitow: "Each generation of women writers has found itself, in a sense, without a history, forced to rediscover...anew, forging again and again the consciousness of her sex."4 With an eerie doubling, twenty years later, Ellen Willis, now historicizing 1967-75, the...

...the records of posterity. Showalter comments: Thus each generation of women writers has found itself, in a sense, without a history, forced to rediscover...identity, it does not seem possible to speak of a 'movement'. (11-12) In A Literature of Their Own, Showalter sets out to 'describe the female literary...

...(Кар. I, S. 3-36). hier S. 7 und S. 1 If.: „Thus each generation of women writers has found itself, in a sense, without a history, forced to rediscover the past anew [...]." Zit. nach Renate Lachmann, „Thesen zu einer weiblichen Ästhetik", in: Claudia Opitz (Hrsg.)....

...one generation to the next are constantly broken; "each generation of women writers has found itself, in a sense, without a history, forced to rediscover...anew, forging again and again the consciousness of our sex" (p. 1 2). The opening sentences of The Red Tent— "We have been lost to each other for so...

...of female literary fame', Showalter argues that 'each generation of women writers has found itself, in a sense, without a history, forced to rediscover...forging again and again the consciousness of their sex'. Yet she nonetheless suggests that there is a 'female literary tradition' which follows the pattern...