Semiotics of Visual LanguageIndiana University Press, 1987 - 255 من الصفحات " . . . the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit." —Journal of Communication |
من داخل الكتاب
النتائج 1-3 من 59
الصفحة 174
... energies whose pressures are equilibrated by the condensed energies in the external contour . Whether peripheral or central , the energies of the Virtual Cube are deemed to have effects on the perceptual plane analogous to the actual ...
... energies whose pressures are equilibrated by the condensed energies in the external contour . Whether peripheral or central , the energies of the Virtual Cube are deemed to have effects on the perceptual plane analogous to the actual ...
الصفحة 178
... energies , the characteristics of the frontiers , and the light energies in which the sculpture is immersed and which it reflects . It is uniquely in a relation with the energies of the Virtual Cube that the vectorial dynamisms can be ...
... energies , the characteristics of the frontiers , and the light energies in which the sculpture is immersed and which it reflects . It is uniquely in a relation with the energies of the Virtual Cube that the vectorial dynamisms can be ...
الصفحة 205
... energies which constitute the linguistic fiction in visual materials , becomes dialectic at all levels of analysis . It defines the structural schema of the coloreme as the relations between a central layer and the diversely surrounding ...
... energies which constitute the linguistic fiction in visual materials , becomes dialectic at all levels of analysis . It defines the structural schema of the coloreme as the relations between a central layer and the diversely surrounding ...
المحتوى
Two The Visual Variables | 16 |
Three Syntax of Visual Language | 65 |
Four The Pictorial Basic Plane | 76 |
حقوق النشر | |
12 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according angles artist Basic Plane Carl Andre centrations characteristics coloremes compartments complementary colors constitute constructed context contour contrasts curve defined described developed diagonal dimension distance dynamic effect energetic energies ensemble established Euclidean geometry experience external volume figure foveal function fundamental geometry gestaltian global grid horizontal hypothesis infrastructure interaction internal interrelations Kandinsky light linear linguistic linked luminosity luminous rays mass material modes modified natural notion object oblique observed offered optical organization painting particular perceived perceptual process peripheral vision phenomenon pictorial plane plastic points of view position potential primary colors produced proxemic reality recognized regions regroupings relation result sculpture semantic sensorial simultaneous contrasts space spatial specific surface syntactic analysis syntactic structure tactile tensions texture theory tion tonal topological transformations various vectorialities verbal language vertical Virtual Cube visual field visual language visual movements visual perception visual representation visual semiotics visual text visual variables yellow zones