Semiotics of Visual LanguageIndiana University Press, 1987 - 255 من الصفحات " . . . the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit." —Journal of Communication |
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النتائج 1-3 من 68
الصفحة 10
... experience the dynamic factors at play in the text very differently . Semiotic analysis is thus conceived as an intense subjective experience calling for the conceptual and emotive resources of the individual and not as a distribution ...
... experience the dynamic factors at play in the text very differently . Semiotic analysis is thus conceived as an intense subjective experience calling for the conceptual and emotive resources of the individual and not as a distribution ...
الصفحة 53
... experience stored in our memory . This is what made Noël Mouloud say , in his La Peinture et l'espace : " An ... experience , based on memorized experiences , become an organized part of an awareness , instead of remaining isolated ...
... experience stored in our memory . This is what made Noël Mouloud say , in his La Peinture et l'espace : " An ... experience , based on memorized experiences , become an organized part of an awareness , instead of remaining isolated ...
الصفحة 113
... experience , but also between these and fragments that are retained , consciously or unconsciously , from past conceptual , sensorial , or imaginary experience . However , whatever the spatial model used for representing groups of ...
... experience , but also between these and fragments that are retained , consciously or unconsciously , from past conceptual , sensorial , or imaginary experience . However , whatever the spatial model used for representing groups of ...
المحتوى
Two The Visual Variables | 16 |
Three Syntax of Visual Language | 65 |
Four The Pictorial Basic Plane | 76 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
according angles artist Basic Plane Carl Andre centrations characteristics coloremes compartments complementary colors constitute constructed context contour contrasts curve defined described developed diagonal dimension distance dynamic effect energetic energies ensemble established Euclidean geometry experience external volume figure foveal function fundamental geometry gestaltian global grid horizontal hypothesis infrastructure interaction internal interrelations Kandinsky light linear linguistic linked luminosity luminous rays mass material modes modified natural notion object oblique observed offered optical organization painting particular perceived perceptual process peripheral vision phenomenon pictorial plane plastic points of view position potential primary colors produced proxemic reality recognized regions regroupings relation result sculpture semantic sensorial simultaneous contrasts space spatial specific surface syntactic analysis syntactic structure tactile tensions texture theory tion tonal topological transformations various vectorialities verbal language vertical Virtual Cube visual field visual language visual movements visual perception visual representation visual semiotics visual text visual variables yellow zones