Semiotics of Visual LanguageIndiana University Press, 1987 - 255 من الصفحات " . . . the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit." —Journal of Communication |
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النتائج 1-3 من 52
الصفحة 13
... fundamental characteristic of the coloreme , namely that , while it is delimited by an ocular centration , it remains essentially linked with other regions that surround it . Separation between coloremes does not produce emptinesses or ...
... fundamental characteristic of the coloreme , namely that , while it is delimited by an ocular centration , it remains essentially linked with other regions that surround it . Separation between coloremes does not produce emptinesses or ...
الصفحة 30
... fundamental colors would be situated at a stable , conceptually absolute level , corresponding to a ' good color ' , with which the usual chromatic deviations would be com- pared . This good color would serve as a ' good gestalt ' of ...
... fundamental colors would be situated at a stable , conceptually absolute level , corresponding to a ' good color ' , with which the usual chromatic deviations would be com- pared . This good color would serve as a ' good gestalt ' of ...
الصفحة 205
... fundamental and paradigmatic role , since it represents the fundamental structure of the Basic Plane as the reservoir of energies which constitute the linguistic fiction in visual materials , becomes dialectic at all levels of analysis ...
... fundamental and paradigmatic role , since it represents the fundamental structure of the Basic Plane as the reservoir of energies which constitute the linguistic fiction in visual materials , becomes dialectic at all levels of analysis ...
المحتوى
Two The Visual Variables | 16 |
Three Syntax of Visual Language | 65 |
Four The Pictorial Basic Plane | 76 |
حقوق النشر | |
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طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according angles artist Basic Plane Carl Andre centrations characteristics coloremes compartments complementary colors constitute constructed context contour contrasts curve defined described developed diagonal dimension distance dynamic effect energetic energies ensemble established Euclidean geometry experience external volume figure foveal function fundamental geometry gestaltian global grid horizontal hypothesis infrastructure interaction internal interrelations Kandinsky light linear linguistic linked luminosity luminous rays mass material modes modified natural notion object oblique observed offered optical organization painting particular perceived perceptual process peripheral vision phenomenon pictorial plane plastic points of view position potential primary colors produced proxemic reality recognized regions regroupings relation result sculpture semantic sensorial simultaneous contrasts space spatial specific surface syntactic analysis syntactic structure tactile tensions texture theory tion tonal topological transformations various vectorialities verbal language vertical Virtual Cube visual field visual language visual movements visual perception visual representation visual semiotics visual text visual variables yellow zones