Semiotics of Visual LanguageIndiana University Press, 1987 - 255 من الصفحات " . . . the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit." —Journal of Communication |
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الصفحة 124
... global relief could be concave with objects at the cen- ter located at the greatest distance or , to the contrary , a convex relief offer- ing a protrusion from the center . The effect of the factor of interruption versus that of ...
... global relief could be concave with objects at the cen- ter located at the greatest distance or , to the contrary , a convex relief offer- ing a protrusion from the center . The effect of the factor of interruption versus that of ...
الصفحة 171
... global environment . The perception of regions or regroupings of coloremes in the sculptur- al object is realized , at a first level , in a way similar to the perception of pictorial regions . Perception can always only select an ...
... global environment . The perception of regions or regroupings of coloremes in the sculptur- al object is realized , at a first level , in a way similar to the perception of pictorial regions . Perception can always only select an ...
الصفحة 179
... global physical environment . 6.6.2 . Perspectives of perception By no means can the perceiver of a sculptural work declare nonexistent or redundant the regions of the works he / she does not take the time to perceive . On one hand , we ...
... global physical environment . 6.6.2 . Perspectives of perception By no means can the perceiver of a sculptural work declare nonexistent or redundant the regions of the works he / she does not take the time to perceive . On one hand , we ...
المحتوى
Two The Visual Variables | 16 |
Three Syntax of Visual Language | 65 |
Four The Pictorial Basic Plane | 76 |
حقوق النشر | |
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طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according angles artist Basic Plane Carl Andre centrations characteristics coloremes compartments complementary colors constitute constructed context contour contrasts curve defined described developed diagonal dimension distance dynamic effect energetic energies ensemble established Euclidean geometry experience external volume figure foveal function fundamental geometry gestaltian global grid horizontal hypothesis infrastructure interaction internal interrelations Kandinsky light linear linguistic linked luminosity luminous rays mass material modes modified natural notion object oblique observed offered optical organization painting particular perceived perceptual process peripheral vision phenomenon pictorial plane plastic points of view position potential primary colors produced proxemic reality recognized regions regroupings relation result sculpture semantic sensorial simultaneous contrasts space spatial specific surface syntactic analysis syntactic structure tactile tensions texture theory tion tonal topological transformations various vectorialities verbal language vertical Virtual Cube visual field visual language visual movements visual perception visual representation visual semiotics visual text visual variables yellow zones