Semiotics of Visual LanguageIndiana University Press, 1987 - 255 من الصفحات " . . . the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit." —Journal of Communication |
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النتائج 1-3 من 56
الصفحة 74
... interaction of color The principal laws of interaction of color are those of equalization , simulta- neous and successive chromatic and tonal contrasts , the optical mixture , and other regular effects not yet adequately categorized ...
... interaction of color The principal laws of interaction of color are those of equalization , simulta- neous and successive chromatic and tonal contrasts , the optical mixture , and other regular effects not yet adequately categorized ...
الصفحة 105
... interaction with the surrounding wall , which we will call the " effect of periphery . " It consists , first of all , for the still - unpainted canvas or monochrome canvas , of a tonal contrast . This is established through the action ...
... interaction with the surrounding wall , which we will call the " effect of periphery . " It consists , first of all , for the still - unpainted canvas or monochrome canvas , of a tonal contrast . This is established through the action ...
الصفحة 211
... interaction of colors The junctions / disjunctions between visual areas by way of the laws of interaction of colors are , above all , the product of the foveal / macular centration . If peripheral vision is particularly sensitive to ...
... interaction of colors The junctions / disjunctions between visual areas by way of the laws of interaction of colors are , above all , the product of the foveal / macular centration . If peripheral vision is particularly sensitive to ...
المحتوى
Two The Visual Variables | 16 |
Three Syntax of Visual Language | 65 |
Four The Pictorial Basic Plane | 76 |
حقوق النشر | |
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طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according angles artist Basic Plane Carl Andre centrations characteristics coloremes compartments complementary colors constitute constructed context contour contrasts curve defined described developed diagonal dimension distance dynamic effect energetic energies ensemble established Euclidean geometry experience external volume figure foveal function fundamental geometry gestaltian global grid horizontal hypothesis infrastructure interaction internal interrelations Kandinsky light linear linguistic linked luminosity luminous rays mass material modes modified natural notion object oblique observed offered optical organization painting particular perceived perceptual process peripheral vision phenomenon pictorial plane plastic points of view position potential primary colors produced proxemic reality recognized regions regroupings relation result sculpture semantic sensorial simultaneous contrasts space spatial specific surface syntactic analysis syntactic structure tactile tensions texture theory tion tonal topological transformations various vectorialities verbal language vertical Virtual Cube visual field visual language visual movements visual perception visual representation visual semiotics visual text visual variables yellow zones