Semiotics of Visual LanguageIndiana University Press, 1987 - 255 من الصفحات " . . . the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit." —Journal of Communication |
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النتائج 1-3 من 22
الصفحة 36
... Luminosity Luminosity designates the intensity of the vibration of luminous rays which perception detects in every chromatic region . On the subjective level , it is linked to the particularity of the nervous influx which connects the ...
... Luminosity Luminosity designates the intensity of the vibration of luminous rays which perception detects in every chromatic region . On the subjective level , it is linked to the particularity of the nervous influx which connects the ...
الصفحة 37
... luminosity which appears strong in relation with its en- vironment tends to eliminate surface texture ; and an absence of texture will favor the effect of radiance . " A more luminous color recedes in depth , and colors of the same ...
... luminosity which appears strong in relation with its en- vironment tends to eliminate surface texture ; and an absence of texture will favor the effect of radiance . " A more luminous color recedes in depth , and colors of the same ...
الصفحة 38
... luminosity - nor the effects of lighting emanat- ing from a source external to the visual work — with the effects of the mimetic fiction of a source of internal or external lighting in the visual representation itself . Both freeze ...
... luminosity - nor the effects of lighting emanat- ing from a source external to the visual work — with the effects of the mimetic fiction of a source of internal or external lighting in the visual representation itself . Both freeze ...
المحتوى
Two The Visual Variables | 16 |
Three Syntax of Visual Language | 65 |
Four The Pictorial Basic Plane | 76 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
according angles artist Basic Plane Carl Andre centrations characteristics coloremes compartments complementary colors constitute constructed context contour contrasts curve defined described developed diagonal dimension distance dynamic effect energetic energies ensemble established Euclidean geometry experience external volume figure foveal function fundamental geometry gestaltian global grid horizontal hypothesis infrastructure interaction internal interrelations Kandinsky light linear linguistic linked luminosity luminous rays mass material modes modified natural notion object oblique observed offered optical organization painting particular perceived perceptual process peripheral vision phenomenon pictorial plane plastic points of view position potential primary colors produced proxemic reality recognized regions regroupings relation result sculpture semantic sensorial simultaneous contrasts space spatial specific surface syntactic analysis syntactic structure tactile tensions texture theory tion tonal topological transformations various vectorialities verbal language vertical Virtual Cube visual field visual language visual movements visual perception visual representation visual semiotics visual text visual variables yellow zones