Semiotics of Visual LanguageIndiana University Press, 1987 - 255 من الصفحات " . . . the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit." —Journal of Communication |
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النتائج 1-3 من 55
الصفحة 54
... mass or an elastic solid possessing three dimensions ( thickness , height and width ) even if they cannot be metrically measured . In this context , the notion of mass refers to the ' quantum ' of material energies distributed in an ...
... mass or an elastic solid possessing three dimensions ( thickness , height and width ) even if they cannot be metrically measured . In this context , the notion of mass refers to the ' quantum ' of material energies distributed in an ...
الصفحة 101
... mass . The ensemble of energetic forces emanating from the periphery , both from the angles and the antagonistic linear vectors , constitutes the Basic Plane through the form of a mass animated by variable energetic densities in each of ...
... mass . The ensemble of energetic forces emanating from the periphery , both from the angles and the antagonistic linear vectors , constitutes the Basic Plane through the form of a mass animated by variable energetic densities in each of ...
الصفحة 208
... mass . The intensification of the central zone , in particular , in an attempt to focalize , often is accompanied by a decrease of the peripheral forces in the pictorial plane . The reaffirmation of the infrastructure of the Basic Plane ...
... mass . The intensification of the central zone , in particular , in an attempt to focalize , often is accompanied by a decrease of the peripheral forces in the pictorial plane . The reaffirmation of the infrastructure of the Basic Plane ...
المحتوى
Two The Visual Variables | 16 |
Three Syntax of Visual Language | 65 |
Four The Pictorial Basic Plane | 76 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
according angles artist Basic Plane Carl Andre centrations characteristics coloremes compartments complementary colors constitute constructed context contour contrasts curve defined described developed diagonal dimension distance dynamic effect energetic energies ensemble established Euclidean geometry experience external volume figure foveal function fundamental geometry gestaltian global grid horizontal hypothesis infrastructure interaction internal interrelations Kandinsky light linear linguistic linked luminosity luminous rays mass material modes modified natural notion object oblique observed offered optical organization painting particular perceived perceptual process peripheral vision phenomenon pictorial plane plastic points of view position potential primary colors produced proxemic reality recognized regions regroupings relation result sculpture semantic sensorial simultaneous contrasts space spatial specific surface syntactic analysis syntactic structure tactile tensions texture theory tion tonal topological transformations various vectorialities verbal language vertical Virtual Cube visual field visual language visual movements visual perception visual representation visual semiotics visual text visual variables yellow zones