Semiotics of Visual LanguageIndiana University Press, 1987 - 255 من الصفحات " . . . the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit." —Journal of Communication |
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النتائج 1-3 من 40
الصفحة 21
... modify perceived color , but also a given pigment can modify its color in an objective and measurable way , according ... modified , others do not change at all . Moreover , any modification of visual variables , beside that of texture ...
... modify perceived color , but also a given pigment can modify its color in an objective and measurable way , according ... modified , others do not change at all . Moreover , any modification of visual variables , beside that of texture ...
الصفحة 44
... modified so as to become a composed or mixed color . According to the traditional law of simultaneous and successive ... modification brought about by the projec- tion of the complementary color will act to subtract that common color in ...
... modified so as to become a composed or mixed color . According to the traditional law of simultaneous and successive ... modification brought about by the projec- tion of the complementary color will act to subtract that common color in ...
الصفحة 190
... modified with a view to producing superior and more complex equilibria , can finally produce a state where the ensemble of movements and transformations produces a system which can then be offered provisionally as an adequate synthesis ...
... modified with a view to producing superior and more complex equilibria , can finally produce a state where the ensemble of movements and transformations produces a system which can then be offered provisionally as an adequate synthesis ...
المحتوى
Two The Visual Variables | 16 |
Three Syntax of Visual Language | 65 |
Four The Pictorial Basic Plane | 76 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
according angles artist Basic Plane Carl Andre centrations characteristics coloremes compartments complementary colors constitute constructed context contour contrasts curve defined described developed diagonal dimension distance dynamic effect energetic energies ensemble established Euclidean geometry experience external volume figure foveal function fundamental geometry gestaltian global grid horizontal hypothesis infrastructure interaction internal interrelations Kandinsky light linear linguistic linked luminosity luminous rays mass material modes modified natural notion object oblique observed offered optical organization painting particular perceived perceptual process peripheral vision phenomenon pictorial plane plastic points of view position potential primary colors produced proxemic reality recognized regions regroupings relation result sculpture semantic sensorial simultaneous contrasts space spatial specific surface syntactic analysis syntactic structure tactile tensions texture theory tion tonal topological transformations various vectorialities verbal language vertical Virtual Cube visual field visual language visual movements visual perception visual representation visual semiotics visual text visual variables yellow zones