Semiotics of Visual LanguageIndiana University Press, 1987 - 255 من الصفحات " . . . the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit." —Journal of Communication |
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الصفحة 10
... observed as being a common feature of perception . What can be called the " normal " perceptive behavior of most subjects in front of a visual field of representation corroborates , in fact , the con- clusions of Rorschach ( 1947 ) in ...
... observed as being a common feature of perception . What can be called the " normal " perceptive behavior of most subjects in front of a visual field of representation corroborates , in fact , the con- clusions of Rorschach ( 1947 ) in ...
الصفحة 138
... observed ( 1975 ; 83-85 ) , this envelop- ing structure , affirming the external limits of the field , generates a strong intensity in the central regions . This is the result of the vivid vectorial contrasts created by its relations of ...
... observed ( 1975 ; 83-85 ) , this envelop- ing structure , affirming the external limits of the field , generates a strong intensity in the central regions . This is the result of the vivid vectorial contrasts created by its relations of ...
الصفحة 186
... observed objects would be distinguished one from another . It responds to the following objectives : What are the descriptive traits ( or properties or attributes ) which , being reg- ularly or constantly associated , permit the ...
... observed objects would be distinguished one from another . It responds to the following objectives : What are the descriptive traits ( or properties or attributes ) which , being reg- ularly or constantly associated , permit the ...
المحتوى
Two The Visual Variables | 16 |
Three Syntax of Visual Language | 65 |
Four The Pictorial Basic Plane | 76 |
حقوق النشر | |
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طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according angles artist Basic Plane Carl Andre centrations characteristics coloremes compartments complementary colors constitute constructed context contour contrasts curve defined described developed diagonal dimension distance dynamic effect energetic energies ensemble established Euclidean geometry experience external volume figure foveal function fundamental geometry gestaltian global grid horizontal hypothesis infrastructure interaction internal interrelations Kandinsky light linear linguistic linked luminosity luminous rays mass material modes modified natural notion object oblique observed offered optical organization painting particular perceived perceptual process peripheral vision phenomenon pictorial plane plastic points of view position potential primary colors produced proxemic reality recognized regions regroupings relation result sculpture semantic sensorial simultaneous contrasts space spatial specific surface syntactic analysis syntactic structure tactile tensions texture theory tion tonal topological transformations various vectorialities verbal language vertical Virtual Cube visual field visual language visual movements visual perception visual representation visual semiotics visual text visual variables yellow zones