Semiotics of Visual LanguageIndiana University Press, 1987 - 255 من الصفحات " . . . the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit." —Journal of Communication |
من داخل الكتاب
النتائج 1-3 من 65
الصفحة 62
... organization is produced ; when indefinite ( following a gradual change in the type of stimulation ) , the structure of the field is unstable and these characteristics of spatial organization are related also to the color [ of this ...
... organization is produced ; when indefinite ( following a gradual change in the type of stimulation ) , the structure of the field is unstable and these characteristics of spatial organization are related also to the color [ of this ...
الصفحة 68
... organization of perceptual experience remains throughout human life the basic means by which one constructs his no- tions of reality . As we have devoted an earlier work to the study of topological functions in pictorial representation ...
... organization of perceptual experience remains throughout human life the basic means by which one constructs his no- tions of reality . As we have devoted an earlier work to the study of topological functions in pictorial representation ...
الصفحة 109
... organization , as they appear as constant syn- tagmatic junctions of coloremes , carrying each particular symbolic mean- ing . Like every notion involved in the dialectic of perception , perspective depends upon a subjective and an ...
... organization , as they appear as constant syn- tagmatic junctions of coloremes , carrying each particular symbolic mean- ing . Like every notion involved in the dialectic of perception , perspective depends upon a subjective and an ...
المحتوى
Two The Visual Variables | 16 |
Three Syntax of Visual Language | 65 |
Four The Pictorial Basic Plane | 76 |
حقوق النشر | |
12 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according angles artist Basic Plane Carl Andre centrations characteristics coloremes compartments complementary colors constitute constructed context contour contrasts curve defined described developed diagonal dimension distance dynamic effect energetic energies ensemble established Euclidean geometry experience external volume figure foveal function fundamental geometry gestaltian global grid horizontal hypothesis infrastructure interaction internal interrelations Kandinsky light linear linguistic linked luminosity luminous rays mass material modes modified natural notion object oblique observed offered optical organization painting particular perceived perceptual process peripheral vision phenomenon pictorial plane plastic points of view position potential primary colors produced proxemic reality recognized regions regroupings relation result sculpture semantic sensorial simultaneous contrasts space spatial specific surface syntactic analysis syntactic structure tactile tensions texture theory tion tonal topological transformations various vectorialities verbal language vertical Virtual Cube visual field visual language visual movements visual perception visual representation visual semiotics visual text visual variables yellow zones