Semiotics of Visual LanguageIndiana University Press, 1987 - 255 من الصفحات " . . . the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit." —Journal of Communication |
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النتائج 1-3 من 66
الصفحة 111
... reality from that which is perceived by one's neighbor . In effect , the activity of perceiving reality is realized only through a perceiver's occupy- ing a particular position , permitting him to establish an immediate and unique ...
... reality from that which is perceived by one's neighbor . In effect , the activity of perceiving reality is realized only through a perceiver's occupy- ing a particular position , permitting him to establish an immediate and unique ...
الصفحة 112
... reality appears extremely differ- ent according to how particular modes of relating to the world are used and valued . These perspectivist modes of perception produce particular channels which assemble the elements of reality in a more ...
... reality appears extremely differ- ent according to how particular modes of relating to the world are used and valued . These perspectivist modes of perception produce particular channels which assemble the elements of reality in a more ...
الصفحة 115
... reality , but it is also a symbolic place where another human being organizes a representation of his own experience of reality , of his own perspectives and points of view . The perceiver is called upon to confront or compare , volens ...
... reality , but it is also a symbolic place where another human being organizes a representation of his own experience of reality , of his own perspectives and points of view . The perceiver is called upon to confront or compare , volens ...
المحتوى
Two The Visual Variables | 16 |
Three Syntax of Visual Language | 65 |
Four The Pictorial Basic Plane | 76 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
according angles artist Basic Plane Carl Andre centrations characteristics coloremes compartments complementary colors constitute constructed context contour contrasts curve defined described developed diagonal dimension distance dynamic effect energetic energies ensemble established Euclidean geometry experience external volume figure foveal function fundamental geometry gestaltian global grid horizontal hypothesis infrastructure interaction internal interrelations Kandinsky light linear linguistic linked luminosity luminous rays mass material modes modified natural notion object oblique observed offered optical organization painting particular perceived perceptual process peripheral vision phenomenon pictorial plane plastic points of view position potential primary colors produced proxemic reality recognized regions regroupings relation result sculpture semantic sensorial simultaneous contrasts space spatial specific surface syntactic analysis syntactic structure tactile tensions texture theory tion tonal topological transformations various vectorialities verbal language vertical Virtual Cube visual field visual language visual movements visual perception visual representation visual semiotics visual text visual variables yellow zones