Semiotics of Visual LanguageIndiana University Press, 1987 - 255 من الصفحات " . . . the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit." —Journal of Communication |
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النتائج 1-3 من 87
الصفحة 14
... semiotics on perceptual processes , have alluded to the necessity to es- tablish the first elements of visual language on topological notions . However , they have not taken any ... semiotic structures of this 14 Semiotics of Visual Language.
... semiotics on perceptual processes , have alluded to the necessity to es- tablish the first elements of visual language on topological notions . However , they have not taken any ... semiotic structures of this 14 Semiotics of Visual Language.
الصفحة 16
... semiotics should be more concerned with the " visual " aspects of matter than with its physio - biological ones . Problems of " visibility " are essentially dependent upon perceptual processes that seem as mobile and changing as their ...
... semiotics should be more concerned with the " visual " aspects of matter than with its physio - biological ones . Problems of " visibility " are essentially dependent upon perceptual processes that seem as mobile and changing as their ...
الصفحة 22
... semiotics does not choose to follow in this course since any abstract identification of a nuance cannot be referred as such to a region of the visual field where it would be modified by the context . It is important also not to ...
... semiotics does not choose to follow in this course since any abstract identification of a nuance cannot be referred as such to a region of the visual field where it would be modified by the context . It is important also not to ...
المحتوى
Two The Visual Variables | 16 |
Three Syntax of Visual Language | 65 |
Four The Pictorial Basic Plane | 76 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
according angles artist Basic Plane Carl Andre centrations characteristics coloremes compartments complementary colors constitute constructed context contour contrasts curve defined described developed diagonal dimension distance dynamic effect energetic energies ensemble established Euclidean geometry experience external volume figure foveal function fundamental geometry gestaltian global grid horizontal hypothesis infrastructure interaction internal interrelations Kandinsky light linear linguistic linked luminosity luminous rays mass material modes modified natural notion object oblique observed offered optical organization painting particular perceived perceptual process peripheral vision phenomenon pictorial plane plastic points of view position potential primary colors produced proxemic reality recognized regions regroupings relation result sculpture semantic sensorial simultaneous contrasts space spatial specific surface syntactic analysis syntactic structure tactile tensions texture theory tion tonal topological transformations various vectorialities verbal language vertical Virtual Cube visual field visual language visual movements visual perception visual representation visual semiotics visual text visual variables yellow zones