Semiotics of Visual LanguageIndiana University Press, 1987 - 255 من الصفحات " . . . the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit." —Journal of Communication |
من داخل الكتاب
النتائج 1-3 من 22
الصفحة 113
... sensorial / perceptual points of view into a new " transformational " invariance is achieved in the elabora- tion of more complex spaces which permit the unification of the diverse organic spaces . By virtue of its immediately ...
... sensorial / perceptual points of view into a new " transformational " invariance is achieved in the elabora- tion of more complex spaces which permit the unification of the diverse organic spaces . By virtue of its immediately ...
الصفحة 115
... sensorial perceptions of reality , or models of in- ternal perceptual representations , always interrelated with sensori - motor , emotional , and conceptual elements , must not be confused with the mod- eling potentialities of the ...
... sensorial perceptions of reality , or models of in- ternal perceptual representations , always interrelated with sensori - motor , emotional , and conceptual elements , must not be confused with the mod- eling potentialities of the ...
الصفحة 141
... sensorial experience of man , and should be established as the paradigm for all intuition of space . Though it may present objects in a foreground , its organizational structures prevent the possibilities of representing not only ...
... sensorial experience of man , and should be established as the paradigm for all intuition of space . Though it may present objects in a foreground , its organizational structures prevent the possibilities of representing not only ...
المحتوى
Two The Visual Variables | 16 |
Three Syntax of Visual Language | 65 |
Four The Pictorial Basic Plane | 76 |
حقوق النشر | |
12 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according angles artist Basic Plane Carl Andre centrations characteristics coloremes compartments complementary colors constitute constructed context contour contrasts curve defined described developed diagonal dimension distance dynamic effect energetic energies ensemble established Euclidean geometry experience external volume figure foveal function fundamental geometry gestaltian global grid horizontal hypothesis infrastructure interaction internal interrelations Kandinsky light linear linguistic linked luminosity luminous rays mass material modes modified natural notion object oblique observed offered optical organization painting particular perceived perceptual process peripheral vision phenomenon pictorial plane plastic points of view position potential primary colors produced proxemic reality recognized regions regroupings relation result sculpture semantic sensorial simultaneous contrasts space spatial specific surface syntactic analysis syntactic structure tactile tensions texture theory tion tonal topological transformations various vectorialities verbal language vertical Virtual Cube visual field visual language visual movements visual perception visual representation visual semiotics visual text visual variables yellow zones