Semiotics of Visual LanguageIndiana University Press, 1987 - 255 من الصفحات " . . . the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit." —Journal of Communication |
من داخل الكتاب
النتائج 1-3 من 89
الصفحة 128
... Field Regions of the visual field , suggesting a plural series of perceivers , or a perceiver who occupies a multiplicity of positions at the same time , or better , a perceiver moving in front of it , are in fact making explicit the ...
... Field Regions of the visual field , suggesting a plural series of perceivers , or a perceiver who occupies a multiplicity of positions at the same time , or better , a perceiver moving in front of it , are in fact making explicit the ...
الصفحة 201
Fernande Saint-Martin. necessary for any analytic approach , the segmentation of the visual field by scanning of the peripheral vision , in order to facilitate the observation of the syntactic mechanisms between large aggregates of ...
Fernande Saint-Martin. necessary for any analytic approach , the segmentation of the visual field by scanning of the peripheral vision , in order to facilitate the observation of the syntactic mechanisms between large aggregates of ...
الصفحة 202
... visual field . To this primary peripheric level of reading , syntactic analysis adjoins the perceptual possibilities of foveal / macular vision in order to recognize the effective differentiations supported by all regions and subregions ...
... visual field . To this primary peripheric level of reading , syntactic analysis adjoins the perceptual possibilities of foveal / macular vision in order to recognize the effective differentiations supported by all regions and subregions ...
المحتوى
Two The Visual Variables | 16 |
Three Syntax of Visual Language | 65 |
Four The Pictorial Basic Plane | 76 |
حقوق النشر | |
12 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according angles artist Basic Plane Carl Andre centrations characteristics coloremes compartments complementary colors constitute constructed context contour contrasts curve defined described developed diagonal dimension distance dynamic effect energetic energies ensemble established Euclidean geometry experience external volume figure foveal function fundamental geometry gestaltian global grid horizontal hypothesis infrastructure interaction internal interrelations Kandinsky light linear linguistic linked luminosity luminous rays mass material modes modified natural notion object oblique observed offered optical organization painting particular perceived perceptual process peripheral vision phenomenon pictorial plane plastic points of view position potential primary colors produced proxemic reality recognized regions regroupings relation result sculpture semantic sensorial simultaneous contrasts space spatial specific surface syntactic analysis syntactic structure tactile tensions texture theory tion tonal topological transformations various vectorialities verbal language vertical Virtual Cube visual field visual language visual movements visual perception visual representation visual semiotics visual text visual variables yellow zones