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الصفحة 411
Whereas all American films were imported through the American Motion Picture Exporters and Cinema Association ( AMPECA ) , later the Nigerian Film Distribution Company ( NFDC ) , Indian films were imported by a host of entrepreneurs in ...
Whereas all American films were imported through the American Motion Picture Exporters and Cinema Association ( AMPECA ) , later the Nigerian Film Distribution Company ( NFDC ) , Indian films were imported by a host of entrepreneurs in ...
الصفحة 412
[ Thomas , 1995 : 162 ; see also Thomas , 1985 ) Indian films , or at least the Hindi ones that are imported into Nigeria , are made for a pan - Indian audience , and the makers of the films are aware of the necessity of constructing a ...
[ Thomas , 1995 : 162 ; see also Thomas , 1985 ) Indian films , or at least the Hindi ones that are imported into Nigeria , are made for a pan - Indian audience , and the makers of the films are aware of the necessity of constructing a ...
الصفحة 414
For Nigerian audiences the evolution of Indian film style thus corresponded with developments within their own ... This has been a contentious process , and as difficult for Hausa viewers to accept in Indian films as to accept in their ...
For Nigerian audiences the evolution of Indian film style thus corresponded with developments within their own ... This has been a contentious process , and as difficult for Hausa viewers to accept in Indian films as to accept in their ...
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Abiriw Accra African Akan Akuapem Akuropon audience authors Bamba become Blacking called cassettes character chief colonial concert party context critical culture discussion division economic ethnic example experience fact fayannde female Fulbe gender Ghana Ghanaian give given groups Guan Hausa husband identity important Indian films individual interpretation Islam issue land language live London look male marabout marriage means Muslim narratives Nigeria northern organisation original parents performance person play political popular position practice present production readers reading recorded reference relations relationship relatives religious respect role situation social society songs Sotho soyayya status structure Studies style television town traditional University Press village West woman women writing young zongo