Africa, المجلد 67،الأعداد 3-4Oxford University Press, 1997 Includes Proceedings of the Executive council and List of members, also section "Review of books". |
من داخل الكتاب
النتائج 1-3 من 49
الصفحة 411
... ; the special issue of India International Centre Quarterly 1980 ; Mishray , 1985 ; Thomas , 1985 , 1995 ) . Rosie Thomas argues that : A form has developed in which narrative is comparatively loose INDIAN FILMS IN KANO 411.
... ; the special issue of India International Centre Quarterly 1980 ; Mishray , 1985 ; Thomas , 1985 , 1995 ) . Rosie Thomas argues that : A form has developed in which narrative is comparatively loose INDIAN FILMS IN KANO 411.
الصفحة 412
... Indian films , or at least the Hindi ones that are imported into Nigeria , are made for a pan - Indian audience , and the makers of the films are aware of the necessity of constructing a filmic style that crosses both linguistic and ...
... Indian films , or at least the Hindi ones that are imported into Nigeria , are made for a pan - Indian audience , and the makers of the films are aware of the necessity of constructing a filmic style that crosses both linguistic and ...
الصفحة 414
... Indian film style thus corresponded with developments within their own society that brought home the similarities between the two . This has been a contentious process , and as difficult for Hausa viewers to accept in Indian films as to ...
... Indian film style thus corresponded with developments within their own society that brought home the similarities between the two . This has been a contentious process , and as difficult for Hausa viewers to accept in Indian films as to ...
المحتوى
AFRICA | 346 |
popular | 363 |
readers interpretations and the difference | 389 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Abiriw Accra African Akan Akuapem Akuropon audience authors Bamba become Blacking called cassettes character chief colonial concert party context critical culture discussion division economic ethnic example experience fact fayannde female Fulbe gender Ghana Ghanaian give given groups Guan Hausa husband important Indian films individual interpretation Islam issue land language live London look male marabout marriage means Muslim narratives Nigeria northern organisation original parents performance person play political popular position practice present production readers reading recorded reference relations relationship relatives religious respect role situation social society songs Sotho soyayya status structure Studies style television town traditional University Press village West woman women writing young zongo