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الصفحة 406
INDIAN FILMS AND NIGERIAN LOVERS : MEDIA AND THE CREATION OF PARALLEL MODERNITIES Brian Larkin God make him rich so he ... dancing erotically on the screens of the open - air cinemas of northern Nigeria , or the tall , angular figure of ...
INDIAN FILMS AND NIGERIAN LOVERS : MEDIA AND THE CREATION OF PARALLEL MODERNITIES Brian Larkin God make him rich so he ... dancing erotically on the screens of the open - air cinemas of northern Nigeria , or the tall , angular figure of ...
الصفحة 411
... to write that in 1978–79 86 per cent of all films imported into Nigeria were of American origin ( 1987 : 121 ) . ... later the Nigerian Film Distribution Company ( NFDC ) , Indian films were imported by a host of entrepreneurs in ...
... to write that in 1978–79 86 per cent of all films imported into Nigeria were of American origin ( 1987 : 121 ) . ... later the Nigerian Film Distribution Company ( NFDC ) , Indian films were imported by a host of entrepreneurs in ...
الصفحة 437
Muslim Hausa Women in Nigeria : tradition and change . New York : Syracuse University Press . Chakravarty , Sunita . 1993. National Ideology in Indian Popular Cinema , 1947–87 . Austin : University of Texas Press . Cooper , Frederick .
Muslim Hausa Women in Nigeria : tradition and change . New York : Syracuse University Press . Chakravarty , Sunita . 1993. National Ideology in Indian Popular Cinema , 1947–87 . Austin : University of Texas Press . Cooper , Frederick .
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Abiriw Accra African Akan Akuapem Akuropon audience authors Bamba become Blacking called cassettes character chief colonial concert party context critical culture discussion division economic ethnic example experience fact fayannde female Fulbe gender Ghana Ghanaian give given groups Guan Hausa husband identity important Indian films individual interpretation Islam issue land language live London look male marabout marriage means Muslim narratives Nigeria northern organisation original parents performance person play political popular position practice present production readers reading recorded reference relations relationship relatives religious respect role situation social society songs Sotho soyayya status structure Studies style television town traditional University Press village West woman women writing young zongo