Africa, المجلد 67،الأعداد 3-4Oxford University Press, 1997 Includes Proceedings of the Executive council and List of members, also section "Review of books". |
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الصفحة 347
... performance . If , as Richard Bauman suggests , ' performance as a mode of spoken verbal communication consists in the assumption of responsibility to an audience for a display of communicative competence ' ( Bauman , 1977 : 11 ) , then ...
... performance . If , as Richard Bauman suggests , ' performance as a mode of spoken verbal communication consists in the assumption of responsibility to an audience for a display of communicative competence ' ( Bauman , 1977 : 11 ) , then ...
الصفحة 353
... performance or text . The Ghanaian concert party , dating from the beginning of the century , was a new kind of entertainment , undertaken for commercial gain and disengaged from chiefship , matriclan or religious associations ( Cole ) ...
... performance or text . The Ghanaian concert party , dating from the beginning of the century , was a new kind of entertainment , undertaken for commercial gain and disengaged from chiefship , matriclan or religious associations ( Cole ) ...
الصفحة 467
... performance can draw together even people from social categories or classes not normally associated with the genre in question . If this is true for the women of singing groups like Dithabaneng , it is even truer of the female labour ...
... performance can draw together even people from social categories or classes not normally associated with the genre in question . If this is true for the women of singing groups like Dithabaneng , it is even truer of the female labour ...
المحتوى
AFRICA | 346 |
popular | 363 |
readers interpretations and the difference | 389 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Abiriw Accra African Akan Akuapem Akuropon audience authors Bamba become Blacking called cassettes character chief colonial concert party context critical culture discussion division economic ethnic example experience fact fayannde female Fulbe gender Ghana Ghanaian give given groups Guan Hausa husband important Indian films individual interpretation Islam issue land language live London look male marabout marriage means Muslim narratives Nigeria northern organisation original parents performance person play political popular position practice present production readers reading recorded reference relations relationship relatives religious respect role situation social society songs Sotho soyayya status structure Studies style television town traditional University Press village West woman women writing young zongo