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الصفحة 377
While the Fanti Trio used the proverb ebusua dɔ fun in 1961 as the basis of a song in their play Beautiful Nonsense , the same proverb was also grist to the creative mill of a rival troupe , the Ahanta Trio , who used the expression as ...
While the Fanti Trio used the proverb ebusua dɔ fun in 1961 as the basis of a song in their play Beautiful Nonsense , the same proverb was also grist to the creative mill of a rival troupe , the Ahanta Trio , who used the expression as ...
الصفحة 379
The play calls for ethical and moral accountability in contemporary life , and a critical attitude towards tradition . Socio - economic changes introduced under colonialism , such as wage and migrant labour , put new pressures on the ...
The play calls for ethical and moral accountability in contemporary life , and a critical attitude towards tradition . Socio - economic changes introduced under colonialism , such as wage and migrant labour , put new pressures on the ...
الصفحة 380
Concert parties are a highly didactic genre , so what ' lesson ' did this play teach ? Its ambivalent conclusion and rather abrupt incorporation of nationalist rhetoric complicate any interpretation , though these elements are entirely ...
Concert parties are a highly didactic genre , so what ' lesson ' did this play teach ? Its ambivalent conclusion and rather abrupt incorporation of nationalist rhetoric complicate any interpretation , though these elements are entirely ...
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Abiriw Accra African Akan Akuapem Akuropon audience authors Bamba become Blacking called cassettes character chief colonial concert party context critical culture discussion division economic ethnic example experience fact fayannde female Fulbe gender Ghana Ghanaian give given groups Guan Hausa husband identity important Indian films individual interpretation Islam issue land language live London look male marabout marriage means Muslim narratives Nigeria northern organisation original parents performance person play political popular position practice present production readers reading recorded reference relations relationship relatives religious respect role situation social society songs Sotho soyayya status structure Studies style television town traditional University Press village West woman women writing young zongo