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الصفحة 365
My second argument arises from the highly disjunctive , topsy - turvy style the concert party developed in the post - war years . This era saw the evolution of a radically new aesthetic as concert parties began to combine antecedent ...
My second argument arises from the highly disjunctive , topsy - turvy style the concert party developed in the post - war years . This era saw the evolution of a radically new aesthetic as concert parties began to combine antecedent ...
الصفحة 448
Their whole style of learning and speaking was different . Sermonisers expected , and were expected , to speak extempore , even citing Arabic texts from memory rather than from a written page . Saudi - trained clerics were more likely ...
Their whole style of learning and speaking was different . Sermonisers expected , and were expected , to speak extempore , even citing Arabic texts from memory rather than from a written page . Saudi - trained clerics were more likely ...
الصفحة 451
This is a culture with doubly strongly regional roots , not only , as we have seen , in terms of its rhetorical style but also in terms of the pedigrees of its practitioners , which invariably stretch back for generations within the ...
This is a culture with doubly strongly regional roots , not only , as we have seen , in terms of its rhetorical style but also in terms of the pedigrees of its practitioners , which invariably stretch back for generations within the ...
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لم نعثر على أي مراجعات في الأماكن المعتادة.
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عبارات ومصطلحات مألوفة
Abiriw Accra African Akan Akuapem Akuropon audience authors Bamba become Blacking called cassettes character chief colonial concert party context critical culture discussion division economic ethnic example experience fact fayannde female Fulbe gender Ghana Ghanaian give given groups Guan Hausa husband identity important Indian films individual interpretation Islam issue land language live London look male marabout marriage means Muslim narratives Nigeria northern organisation original parents performance person play political popular position practice present production readers reading recorded reference relations relationship relatives religious respect role situation social society songs Sotho soyayya status structure Studies style television town traditional University Press village West woman women writing young zongo
معلومات المراجع
| العنوان | Africa, المجلد 67،الأعداد 3-4 |
| المساهمون | Diedrich Westermann, Edwin William Smith, Cyril Daryll Forde, International African Institute, International Institute of African Languages and Cultures |
| الناشر | Oxford University Press, 1997 |
| أصلي من | جامعة ميتشيغان |
| الكتب ذات التنسيق الرقمي | 8 تموز (يوليو) 2010 |
| تصدير الاقتباس | BiBTeX EndNote RefMan |