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الصفحة 413
More complexly , Indian films are based upon negotiating the tension of preserving traditional moral values in a time of profound change . Ashis Nandy argues , in terms as relevant for Nigerians as they are for Indians , that Indian ...
More complexly , Indian films are based upon negotiating the tension of preserving traditional moral values in a time of profound change . Ashis Nandy argues , in terms as relevant for Nigerians as they are for Indians , that Indian ...
الصفحة 455
Seen from this critical perspective , the state manipulated traditional or neo - traditional music in order to implement - or , at its most futile , to claim an illusory success for its policy of keeping Africans as residents of ethnic ...
Seen from this critical perspective , the state manipulated traditional or neo - traditional music in order to implement - or , at its most futile , to claim an illusory success for its policy of keeping Africans as residents of ethnic ...
الصفحة 459
Some sang traditional music only in childhood , while others learned to sing it and to dress in traditional dress only after arriving on the Witwatersrand . For these women from a diversity of rural homes , the style of music they ...
Some sang traditional music only in childhood , while others learned to sing it and to dress in traditional dress only after arriving on the Witwatersrand . For these women from a diversity of rural homes , the style of music they ...
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المحتوى
AFRICA | 346 |
popular | 363 |
readers interpretations and the difference | 389 |
حقوق النشر | |
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طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Abiriw Accra African Akan Akuapem Akuropon audience authors Bamba become Blacking called cassettes character chief colonial concert party context critical culture discussion division economic ethnic example experience fact fayannde female Fulbe gender Ghana Ghanaian give given groups Guan Hausa husband important Indian films individual interpretation Islam issue land language live London look male marabout marriage means Muslim narratives Nigeria northern organisation original parents performance person play political popular position practice present production readers reading recorded reference relations relationship relatives religious respect role situation social society songs Sotho soyayya status structure Studies style television town traditional University Press village West woman women writing young zongo