 | Ronald E. Martin - 1991 - عدد الصفحات: 424
...happened in action; what the actual things were which produced the emotion that you experienced. . . . [T]he real thing, the sequence of motion and fact...with luck and if you stated it purely enough, always, was beyond me and I was working very hard to try to get it.61 In one sense, then, language is for Hemingway... | |
 | Ronald E. Martin - 1991 - عدد الصفحات: 428
...realism of Hemingway's has a correlative mystical, prophetic side. Finding the right verbal formula "which would be as valid in a year or in ten years...with luck and if you stated it purely enough, always" is a quest that would not be foreign to a prophet, priest, or poet of the Bronze Age. The "sequence... | |
 | Kerstin Moeller Osmani - 1996 - عدد الصفحات: 228
...timeliness which gives a certain emotion to any account of something that has happened on that day; but the real thing, the sequence of motion and fact which...with luck and if you stated it purely enough, always, was beyond me and l was working very hard to try to get it.138 In Gesprächen mit jungen Autoren führt... | |
 | Steven F. Kruger - 1996 - عدد الصفحات: 432
...1980). 28. See Emest Hemingway, Death in the Afternoon (New York: PF Collier& Son. 1932), 2: "[BJui the real thing, the sequence of motion and fact which...with luck and if you stated it purely enough, always, was beyond me and I was working very hard to get it." 29. Eddie here conflates the first lines of Donne's... | |
 | Stanley Corkin - 1996 - عدد الصفحات: 260
...timeliness which gives a certain emotion to any account of something that has happened that day; but the real thing, the sequence of motion and fact which...with luck and if you stated it purely enough, always, was beyond me and I was working very hard to try to get it. (2) Throughout Hemingway's writings about... | |
 | David L. Minter - 1994 - عدد الصفحات: 300
...with one trick or another, you communicated the emotion aided by the element of timeliness . . . ; but the real thing, the sequence of motion and fact which...the emotion and which would be as valid in a year or ten years or, with luck and if you stated it purely enough, always, was beyond me and I was working... | |
 | Michael Davitt Bell - 1993 - عدد الصفحات: 260
...Huckleberry Finn mattered to Ernest Hemingway — who himself strove, as he put it, to get onto the page "the real thing, the sequence of motion and fact which made the emotion."30 Still, this is a realism of vision and emotion, not of principle and action; such descriptions... | |
 | Paul Seydor - 1999 - عدد الصفحات: 442
...action," "what the actual things were which produced the emotion that you experienced"; and then finding "the real thing, the sequence of motion and fact which made the emotion." Hemingway went on to observe that when people "have learned to appreciate values through experience... | |
 | Matthew Stewart - 2001 - عدد الصفحات: 158
...in Death in the Afternoon (1932): In writing for a newspaper you told what happened on that day; but the real thing, the sequence of motion and fact which...with luck and if you stated it purely enough, always, was beyond me and I was working very hard to try to get it (2). Hemingway's work "to get it" seemed... | |
 | Anders Hallengren - 2004 - عدد الصفحات: 278
...feeling as you had. " (By-Line) That was the essence of his style, to focus on facts. Hemingway aimed at "the real thing, the sequence of motion and fact which...with luck and if you stated it purely enough, always" (Death in the Afternoon). In Hemingway, we see a reaction against Romantic turgidity and vagueness:... | |
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... the real thing, the sequence of motion and fact which made the emotion and which would be as valid in a year or in ten years or, with luck and if you stated it purely enough, always, was beyond me and I was working very hard to try to get it. 
