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" ... the real thing, the sequence of motion and fact which made the emotion and which would be as valid in a year or in ten years or, with luck and if you stated it purely enough, always, was beyond me and I was working very hard to try to get it. "
American Gunfight: The Plot to Kill Harry Truman--and the Shoot-out that ... - الصفحة xi
بواسطة Stephen Hunter, John Bainbridge - 2005 - عدد الصفحات: 320
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Natural Right and the American Imagination: Political Philosophy in Novel Form

Catherine H. Zuckert - 1990 - عدد الصفحات: 271
...timeliness which gives a certain emotion to any account of something that has happened on that day; but the real thing, the sequence of motion and fact which...with luck and if you stated it purely enough, always, was beyond me and 1 was working very hard to get it." Journalism has an impact basically because of...
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American Literature and the Destruction of Knowledge: Innovative Writing in ...

Ronald E. Martin - 1991 - عدد الصفحات: 391
...happened in action; what the actual things were which produced the emotion that you experienced. . . . [T]he real thing, the sequence of motion and fact...with luck and if you stated it purely enough, always, was beyond me and I was working very hard to try to get it.61 In one sense, then, language is for Hemingway...

American Literature and the Destruction of Knowledge: Innovative Writing in ...

Ronald E. Martin - 1991 - عدد الصفحات: 391
...realism of Hemingway's has a correlative mystical, prophetic side. Finding the right verbal formula "which would be as valid in a year or in ten years...with luck and if you stated it purely enough, always" is a quest that would not be foreign to a prophet, priest, or poet of the Bronze Age. The "sequence...
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In einem andern Land: Ernest Hemingway und die "junge Generation ...

Kerstin Moeller Osmani - 1996 - عدد الصفحات: 213
...timeliness which gives a certain emotion to any account of something that has happened on that day; but the real thing, the sequence of motion and fact which...with luck and if you stated it purely enough, always, was beyond me and l was working very hard to try to get it.138 In Gesprächen mit jungen Autoren führt...
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AIDS Narratives: Gender and Sexuality, Fiction and Science

Steven F. Kruger - 1996 - عدد الصفحات: 404
...1980). 28. See Emest Hemingway, Death in the Afternoon (New York: PF Collier& Son. 1932), 2: "[BJui the real thing, the sequence of motion and fact which...with luck and if you stated it purely enough, always, was beyond me and I was working very hard to get it." 29. Eddie here conflates the first lines of Donne's...
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Realism and the Birth of the Modern United States: Cinema, Literature, and ...

Stanley Corkin - 1996 - عدد الصفحات: 240
...timeliness which gives a certain emotion to any account of something that has happened that day; but the real thing, the sequence of motion and fact which...with luck and if you stated it purely enough, always, was beyond me and I was working very hard to try to get it. (2) Throughout Hemingway's writings about...
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A Cultural History of the American Novel, 1890-1940: Henry James to William ...

David Minter - 1996 - عدد الصفحات: 296
...with one trick or another, you communicated the emotion aided by the element of timeliness . . . ; but the real thing, the sequence of motion and fact which...the emotion and which would be as valid in a year or ten years or, with luck and if you stated it purely enough, always, was beyond me and I was working...
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The Problem of American Realism: Studies in the Cultural History of a ...

Michael Davitt Bell - 1993 - عدد الصفحات: 245
...Huckleberry Finn mattered to Ernest Hemingway — who himself strove, as he put it, to get onto the page "the real thing, the sequence of motion and fact which made the emotion."30 Still, this is a realism of vision and emotion, not of principle and action; such descriptions...
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Peckinpah: The Western Films : a Reconsideration

Paul Seydor - 1999 - عدد الصفحات: 410
...action," "what the actual things were which produced the emotion that you experienced"; and then finding "the real thing, the sequence of motion and fact which made the emotion." Hemingway went on to observe that when people "have learned to appreciate values through experience...
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Modernism and Tradition in Ernest Hemingway's In Our Time: A Guide for ...

Christiane P. Staninger, Matthew Stewart - 2001 - عدد الصفحات: 127
...in Death in the Afternoon (1932): In writing for a newspaper you told what happened on that day; but the real thing, the sequence of motion and fact which...with luck and if you stated it purely enough, always, was beyond me and I was working very hard to try to get it (2). Hemingway's work "to get it" seemed...
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