Stanislavsky in the World: The System and its Transformations Across Continents
Stanislavsky in the World is an ambitious and ground-breaking work charting a fascinating story of the global dissemination and transformation of Stanislavsky's practices.
Case studies written by local experts, historians and practitioners are brought together to introduce the reader to new routes of Stanislavskian transmission across the continents of Europe, Asia, Africa, Australasia and South (Latin) America. Such a diverse set of stories moves radically beyond linear understandings of transmission to embrace questions of transformation, translation, hybridisation, appropriation and resistance.
This important work not only makes a significant contribution to Stanislavsky studies but also to recent research on theatre and interculturalism, theatre and globalisation, theatre and (post)colonialism and to the wider critical turn in performer training historiographies.
This is a unique examination of Stanislavsky's work presenting a richly diverse range of examples and an international perspective on Stanislavsky's impact that has never been attempted before.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
Part Two China and Japan
Part Three Latin America
Part Four Africa
طبعات أخرى - عرض جميع المقتطفات
acting actor and director Actor Prepares actor training aesthetic African amateur American artistic audience Australian Autant-Mathieu Bangladesh Beijing Benedetti Brazil Brazilian Brecht Carnicke century character Chekhov China classes contemporary context create creative Cuba Cuban cultural developed direct edition emotional memory ensemble essay experience French given circumstances Gordon Grotowski Guerrieri huaju indigenous influence institutions interview Jacques Copeau Jiao Kaori Nakayama Kaunas Konstantin Stanislavsky Koun Kulnyov Kusnet Lithuanian Livathinos Malta Māori method Method Acting Meyerhold Mikhail Chekhov modern Mohamed Abdelaziz Moscow Art Theatre National Theatre Nigeria Nollywood Oleka-Žilinskas People’s physical actions play political principles production psychological realism reference rehearsal Revuelta role Routledge Russian São Paulo scene Soviet Sruoga stage Stanislavsky Stanislavsky’s ideas Stanislavsky’s System Strasberg Sydney teacher teaching Teatro techniques Théâtre Theatre and Performance theatre direction theatre practitioners theatre-makers Theatre’s theatrical tour tradition transformed translated transmission Tunisian theatre University workshops xiqu Ziembinski